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‘The Rivals of Amziah King’: Matthew McConaughey’s Comeback Undercut by Reshoots, Distribution Woes, and Too Much Movie

This is an odd follow-up for Andrew Patterson, whose acclaimed 2019 debut, “The Vast of Night,” shot for only $500k, showed a filmmaker with a real knack for atmosphere and visual storytelling.

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Glen Powell to Play ‘Gaston’ in Disney Live-Action Prequel

What’s truly perplexing is how a rising talent like Powell, whose star had been steadily ascending thanks to smart film choices, would attach himself to a live-action Disney spinoff.

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The Daniels’ Mystery Sci-Fi Movie Is Reportedly Heavily Influenced by ‘Power Rangers’

A few days ago, Disney+ put the kibosh on its live-action “Power Rangers” series. No reason was given, but now we’re hearing the Daniels’ new movie — starring Matt Damon and Sandra Oh — is basically a “Power Rangers” influenced movie

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Adam Driver and Christopher Abbott Join Marvel’s X-Men Reboot

The “X-Men” reboot is about to add two more big names to its ensemble cast. With D23 happening tonight, we might have five or six X-Men actors on stage with Marvel boss Kevin Feige.

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Sofia Coppola’s ‘Marie Antoinette’ Gets 4K Criterion Release After Years of Critical Reappraisal

It’s hard to believe, but Coppola’s “Marie Antoinette” was met with boos at its Cannes premiere in May 2006. The film also received mixed reviews from critics and remains “rotten” on Rotten Tomatoes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Luca Guadagnino’s ‘Artificial’ Acquired by Neon, Potential 2026 Release Eyed

June 30, 2026 Jordan Ruimy

Hot off the press: Luca Guadagnino’s “Artificial” has been acquired by Neon and, I’m told, will receive an Oscar-qualifying run later this year, with a world premiere being discussed at the Venice Film Festival.

Matt Belloni confirmed the news.

The only other bidder who came close to Neon’s $20M+ offer was Mubi, who I’m told lowered their price after seeing other studios passing on the film. They must still be scarred by the $25M they shelled out for Lynne Ramsay’s “Die My Love” last year.

As for Neon, this will be the most money they have ever spent to acquire a film. Last year, they acquired Sundance hit “Together” for $15M, that was the same price they bought Michael Mann’s “Ferrari” before its Venice for in 2023.

“Artificial,” described as “The Social Network” for the AI era, reportedly explores Sam Altman’s rise, his ties to OpenAI, and the figures behind what may become one of the most significant technological shifts of our time. The film is said to portray Altman in a less-than-flattering light.

The central figure is reportedly Ilya Sutskever (played by Yura Borisov), the idealistic, somewhat naïve technical mind behind OpenAI, while Altman—played by Andrew Garfield—enters more prominently around the midpoint, depicted as maneuvering his way to the top. The ensemble cast is said to include Monica Barbaro, Cooper Hoffman, Jason Schwartzman, Mark Rylance, and Ike Barinholtz as Elon Musk.

Luca Guadagnino, who is coming off “After the Hunt” (also produced by Amazon MGM), released last fall to largely negative reviews from critics, has previously directed “I Am Love,” “Call Me by Your Name,” “Challengers,” “Queer,” “Bones and All,” and “Suspiria.”

An official announcement of Neon’s acquisition of “Artificial” is expected within the next 24–48 hours, and could also include a potential release date.

← Tom Hardy Returning to ‘MobLand’ After Reported On-Set TensionsJosh Brolin Says He Almost Quit Ridley Scott’s ‘The Dog Stars’ After One Day on Set: “I Want Out” →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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