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Steven Soderbergh's Next Film: Adam Driver Teases “One of the Best Things He's Ever Written"

Adam Driver is still not over "The Hunt for Ben Solo," but there's a silver lining: Steven Soderbergh has already moved on to a new script, and Driver calls it one of the best things Soderbergh has ever written.

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‘Austin Powers 4' Is Happening? Mike Myers Says He's “Writing It Right Now"

Part of the reason a fourth 'Austin Powers' was never made is that Myers basically stepped away from the industry. After "The Love Guru" bombed in 2008, he all but disappeared from leading roles.

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‘Gatto’ Trailer: Pixar's Next Original Film Ditches Glossy CGI

"Gatto," featuring the voices of Mark Ruffalo, Laurence Fishburne, Enrico Casarosa, John Turturro, Jason Schwartzman, Isabella Rosellini, and Jason Mantzoukas, arrives in theaters on March 5, 2027.

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‘Avengers: Doomsday’ Has 10 Credited Writers, Including Ryan Reynolds and Hugh Jackman

The WGA directory has updated its listing for "Avengers: Doomsday," and the final tally is a whopping ten writers on “Avengers: Doomsday.”

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Johnny Depp's ‘Ebenezer' Gets Mixed Reviews, 52% Rotten Tomatoes, Eyes $23M Opening Weekend

Given the low budget, “Ebenezer” will probably amount to a win for Depp. For West, I hope this was a one-time paycheck before he goes back to R-rated filmmaking.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Luca Guadagnino’s ‘Artificial’ Acquired by Neon, Potential 2026 Release Eyed

June 30, 2026 Jordan Ruimy

Hot off the press: Luca Guadagnino’s “Artificial” has been acquired by Neon and, I’m told, will receive an Oscar-qualifying run later this year, with a world premiere being discussed at the Venice Film Festival.

Matt Belloni confirmed the news.

The only other bidder who came close to Neon’s $20M+ offer was Mubi, who I’m told lowered their price after seeing other studios passing on the film. They must still be scarred by the $25M they shelled out for Lynne Ramsay’s “Die My Love” last year.

As for Neon, this will be the most money they have ever spent to acquire a film. Last year, they acquired Sundance hit “Together” for $15M, that was the same price they bought Michael Mann’s “Ferrari” before its Venice for in 2023.

“Artificial,” described as “The Social Network” for the AI era, reportedly explores Sam Altman’s rise, his ties to OpenAI, and the figures behind what may become one of the most significant technological shifts of our time. The film is said to portray Altman in a less-than-flattering light.

The central figure is reportedly Ilya Sutskever (played by Yura Borisov), the idealistic, somewhat naïve technical mind behind OpenAI, while Altman—played by Andrew Garfield—enters more prominently around the midpoint, depicted as maneuvering his way to the top. The ensemble cast is said to include Monica Barbaro, Cooper Hoffman, Jason Schwartzman, Mark Rylance, and Ike Barinholtz as Elon Musk.

Luca Guadagnino, who is coming off “After the Hunt” (also produced by Amazon MGM), released last fall to largely negative reviews from critics, has previously directed “I Am Love,” “Call Me by Your Name,” “Challengers,” “Queer,” “Bones and All,” and “Suspiria.”

An official announcement of Neon’s acquisition of “Artificial” is expected within the next 24–48 hours, and could also include a potential release date.

← Tom Hardy Returning to ‘MobLand’ After Reported On-Set TensionsJosh Brolin Says He Almost Quit Ridley Scott’s ‘The Dog Stars’ After One Day on Set: “I Want Out” →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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