What better honor to have on your 100th than the American Film Institute deciding to officially change the order of their 100 Best Comedies of All Time list, as an “honorary” reorganization

Quite interesting how DC Studios film chief Peter Safran decided to give a statement to The New York Times about “Supergirl” underperforming with a $38M debut weekend.

“I believe in early failure,” she tells Variety. “If you go through that, the way ‘Don’t Worry Darling’ did with a 38% on Rotten Tomatoes, there’s liberation.”

“Humpty Dumpty X,” directed by Kaye, is a documentary tackling his side of the story. Kaye even goes undercover, filming and exposing the people he was battling over the final cut.

Quite incredibly, Supergirl‘s numbers have only gotten worse, and it’s now expected to earn just $38M this weekend after a $10M Saturday.

“Ray Gunn” is set to premiere direct to streaming on December 18, with no theatrical rollout planned, for now.

Christopher Nolan, whose latest film tackles an oft-told 8th-century story, tells The New York Times that studios should take more risks with their blockbusters.t

An update on Mike Flanagan’s own production company website has seemingly confirmed what I posted months ago: the title of Flanagan’s upcoming ‘Exorcist’ reboot is “Exorcist: Martyrs.”

The latest tracking for Christopher Nolan’s “The Odyssey,” via Deadline, is inconclusive. There’s no firm grasp on how much this film will actually make on its opening weekend.

On a recent podcast, Seth Rogen openly dismissed Sylvester Stallone’s filmography. He argued that Stallone has made only about four truly good films over the course of his entire career.

A24, once the cool kid on the block, is now facing severe backlash after announcing a research partnership with Google DeepMind that includes a $75M investment to explore AI filmmaking.

Yes, this is an adaptation of Sylvia Plath’s landmark novel, which Polley is directing for Focus Features, and with a 2027 premiere being eyed, no doubt at one of the major film festivals.

Universal Pictures recently dated “The Catch” for May 21, 2027—a summer release and a strong sign of confidence in this non-IP romcom starring Emma Stone and Chris Pine.

“Cut Off,” Jonah Hill’s third directorial effort, which was set to hit theaters this July but was recently removed from the Warner Bros. release calendar, has turned into a major headache for Warner Bros.

Boll claims European countries, specifically Germany and the UK, are limiting the film’s distribution due to “cultural concerns.” He has used the word “banned” to describe the censorship.

What started as a projected $65M opening weekend in June is now looking more like a three-day tally in the $39M range. That would be a disastrous start for a film that cost $185M+.

Now, this is showing confidence in your movie. Universal has decided to skip word-of-mouth (a.k.a. influencer) screenings for Christopher Nolan‘s “The Odyssey.” Thanks to the heavenly gods.

After a turbulent run in feature directing, Rogen seems to be cautiously re-entering that space again, and might even be shooting something come next year.

Universal Pictures has confirmed standalone Donkey movie from DreamWorks Animation, set to hit theaters on June 30, 2028, confirming comments Eddie Murphy made last year.

You gotta love Brad Bird. While Pixar is milking sequels every chance it gets, one of the few classics that has yet to receive a continuation is Bird’s “Ratatouille,” an absolute animated masterpiece.