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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A24 Issues Statement After AI Backlash: “We’d Rather Have a Seat at the Table Than on the Sidelines”

June 26, 2026 Jordan Ruimy

A24, once the cool kid on the block, is now facing severe backlash after announcing earlier this week a research partnership with Google DeepMind that includes a $75M investment to explore AI filmmaking workflows.

While A24 has stressed that the new agreement is strictly a research collaboration—not a production deal—many critics remain unconvinced. The studio should have known that signing the deal would inevitably spark an uproar.

It’s gotten to the point where A24 has now had to release a statement to temper the backlash:

Our relationship with our audience is something we don’t take for granted. This partnership exists because we want to dictate what tools get built for artists, and so they have a voice in shaping them rather than having tools handed to them. We’d rather have a seat at the table than on the sidelines.

I don’t that “seat at the table” quote is going to go too well with all the betrayed-feeling fans.

Listen, the outrage wouldn’t be as intense if it weren’t for what A24 represents. Over the past decade, the studio has carefully cultivated an identity that has made it one of the most admired and respected movie brands in Hollywood, and many of its younger-skewing fans see inviting AI into its creative process as a total betrayal of that image.

Just look at the social media reactions, some of them especially harsh, with commenters declaring, “A24 just sold its soul,” “AI can and will never make art,” and “NO A24! You were the chosen one!” Others argued that the company now feels like “a wannabe tech company.”

Many of these concerns are based on assumptions rather than the specifics of A24’s AI deal, but there is currently such a deep-seated mistrust surrounding AI’s role in the movies that merely associating with it is enough to turn you into Judas in the eyes of many.

Despite the backlash, A24 will likely continue to thrive, coming off its biggest box office success with “Backrooms” and with major projects like “Elden Ring” on the horizon. Still, although the controversy is unlikely to hurt A24’s ability to attract filmmakers, it may permanently alter how some of its most devoted fans perceive the indie darling.

← Seth Rogen Says Sylvester Stallone Has Only Made Four Good Movies in His CareerSarah Polley’s ‘The Bell Jar,’ Starring Billie Eilish, Starts Filming in Toronto →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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