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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Odyssey’ Box Office Tracking Is Wildly Unpredictable, Currently in $80M+ Opening Range

June 26, 2026 Jordan Ruimy

The latest tracking for Christopher Nolan’s “The Odyssey,” via Deadline, is inconclusive. There’s no firm grasp on how much this film will actually make on its opening weekend.

The “wild” opening range right now is between $80M–$100M. Here’s Deadline explaining why it’s hard to predict its opening despite all the news about IMAX presales selling out everywhere:

Why such a wide swath forecast despite selling out 70MM Imax screens a year in advance, and PLFs most recently? Nobody knows how high these Nolan movies will be in their opening weekend.

Take, for example, “Oppenheimer,” Nolan’s last film, which just a few weeks before its opening was tracking for $40M–$50M, only to be boosted by the ‘Barbenheimer’ craze and rave reviews, and open with $82M in its first weekend.

Some still wonder if the Barbenheimer effect of the marketplace had anything to do with that. This time Nolan has the only major studio wide tentpole on its opening weekend. In addition, the great advance large format ticket sales [for The Odyssey] skew heavily to Nolan’s cinephile base

“The Odyssey,” which has been reported to have a $250M budget, will inevitably be clouded by the online controversy around Nolan’s casting decisions, spearheaded by Elon Musk calling Nolan an “anti-white racist” (lol) for casting Lupita Nyong’o as Helen of Troy. However, does the online world actually translate to the real world of box office interest? That’s the real question. There’s reason to doubt.

“The Odyssey” still has some weeks before release, and whatever number you want will see predicted remains speculative at best. I doubt Musk alone can weaken this movie. Rather, what will make or break this film is whether it’s any good. As with all Nolan releases, quality is what matters most, which usually translates into strong legs in the ensuing weekends. If the film gets strong reviews, this will be a successful film.

← Pablo Larraín Sets 1973 Chile Coup Drama ‘Once’ at Netflix With Rodrigo Prieto as DPSeth Rogen Says Sylvester Stallone Has Only Made Four Good Movies in His Career →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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