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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Pablo Larraín Sets 1973 Chile Coup Drama ‘Once’ at Netflix With Rodrigo Prieto as DP

June 26, 2026 Jordan Ruimy

Pablo Larraín is set to begin production on his next feature for Netflix titled “Once” (referencing the number 11).

The film is structured as 11 interconnected stories unfolding in the immediate aftermath of Chile’s military coup on September 11, 1973. Across a tightly compressed 18-hour window, as Chile entered a period of military dictatorship, the narrative will tackle the chaos and human consequences following the overthrow of the democratic government, culminating in the bombing of La Moneda Palace and the death of then-president Salvador Allende.

The cast will be led by Alfredo Castro, a regular on Larraín’s films. The rest of the players include Marcelo Alonso, Octavia Bernasconi, Roberto Farías, Fernanda Finsterbusch, Alejandro Goic, Camila Milenka, Valentina Muhr, Marcial Tagle, and Lukas Vergara.

A key creative of the project is Larraín’s collaboration with Oscar-nominated cinematographer Rodrigo Prieto, marking their first time working together. Prieto has been Scorsese’s go-to DP since “The Wolf of Wall Street,” followed by “Silence,” “The Irishman,” and “Killers of the Flower Moon.”

Larraín has been a mainstay at the Venice Film Festival, with his last five films part of the official competition. This will be Larraín’s second film with Netflix; he previously directed the neo-vampire film “El Conde.”

Starting with “No,” Larraín built a reputation for stylized, psychologically driven films about power and historical memory, continuing through works like “The Club” and “Neruda.” He later expanded with a trilogy of intimate portraits of iconic women, especially with “Jackie,” which is—arguably—his best film. I didn’t care much for “Spencer” or his most recent film “Maria,” which continued his focus on fractured identity and public myth.

“Once,” which Larraín describes as a “war movie,” is slated to begin shooting in the second half of 2026.

← Mike Flanagan’s ‘Exorcist’ Reboot Title Seemingly Confirmed as ‘Exorcist: Martyrs’‘The Odyssey’ Box Office Tracking Is Wildly Unpredictable, Currently in $80M+ Opening Range →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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