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Ken Russell’s ‘The Devils’ Gets NC-17 Rating for Uncut 4K Restoration Coming to Theaters

Clockwork announced that “The Devils” has been rated NC-17 by the MPA, which, as far as I’m concerned, is basically free marketing. Much of the audience anticipating this release was hoping for this rating.

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First Look: Andrew Haigh’s ‘A Long Winter’ to Screen at Telluride, TIFF and NYFF — Follow-Up to ‘All of Us Strangers’

For Haigh, the film feels like an “endpoint” in his career so far. Shot on film with DP André Turpin, “A Long Winter” was filmed in the Calgary wilderness, the same area used for “The Revenant.”

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Jacob Elordi Joins Ari Aster’s ‘Scapegoat’ Opposite Scarlett Johansson at A24

Jacob Elordi is set to co-star opposite Scarlett Johansson in “Scapegoat,” the upcoming thriller from Ari Aster, who is directing from his own script. A24, which has released his past four films, will distribute.

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Alfonso Cuarón Returns to TV With Horror Thriller ‘Ascension’ at Apple — Hasn’t Directed A Movie in Eight Years

The good news is that Cuarón is only writing “Ascension,” meaning he won’t be tied up with directing duties and should still have room in his schedule for a long-awaited return to cinema.

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LOL: ‘Magic Mike XXL’ Named Greatest Sequel of All-Time by IndieWire

Cue the ragebait — which is precisely what IndieWire intended when putting together their list of the 100 Best Sequels Ever Made, published this morning.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Tim Robbins, Sissy Spacek Join Emma Stone and Chris Pine in ‘The Catch’ — Robbins’ First Film Role in Seven Years

June 26, 2026 Jordan Ruimy

UPDATE: Completely passed me by, but this is actually Robbins’ first film role in seven years. His last big-screen performance was in Todd Haynes’ 2019 film “Dark Waters.” While he stepped away from films during that period, he did return to the screen with a role in Apple TV+’s hit sci-fi series “Silo.”

EARLIER: Universal Pictures recently dated “The Catch” for May 21, 2027—a summer release and a strong sign of confidence in this non-IP romcom starring Emma Stone and Chris Pine.

The ensemble has now been rounded out for this film, with Tim Robbins, Sissy Spacek, Ashley Padilla and Druski now added to the cast.

Robbins and Spacek are always welcome in any film they’re in, both consummate acting veterans. Robbins is best known for his understated work in “The Shawshank Redemption,” “Mystic River” and “The Player,” while expanding his impact behind the camera by directing “Dead Man Walking.” Spacek has built an immense reputation of her own, most famously through “Carrie,” “Badlands,” “In the Bedroom” and “Coal Miner’s Daughter,” which earned her an Oscar.

Now, what is “The Catch” actually about? The trades keep saying plot details are under wraps and that it will tackle baseball. However, we here know what it’s about. Stone will portray a baseball fan who accidentally touches a ball at the wall, turning it into a home run and costing her team a crucial game. The film follows her navigating the unexpected attention, backlash and overwhelming guilt over her catch.

In other words, Stone’s character will most likely be loosely inspired by the infamous Steve Bartman, whose moment of infamy became a national talking point and a lasting symbol of fan involvement gone wrong.

So, what could possibly entice Stone to take on this project, which happens to be her first rom-com in over a decade? Well, “The Catch” is directed by Dave McCary—who also happens to be Stone’s husband. Makes sense. McCary has directed only one other film in his career—2017’s “Brigsby Bear,” which, truth be told, was a small-scale and amusing Sundance indie.

Stone is a two-time Oscar winner, not to mention a six-time acting nominee, and she’s only 37. Coming off “Bugonia,” and with her go-to director—Yorgos Lanthimos—taking a much-needed break, she probably had an assortment of promising projects to choose from. Now, we know what’s next for her.

← Sarah Polley’s ‘The Bell Jar,’ Starring Billie Eilish, Starts Filming in TorontoJonah Hill’s ‘Cut Off’ Reportedly Deemed “Unreleasable” by Warner Bros. →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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