Snyder’s version will be a “down and dirty” take on John Carpenter’s film, emphasizing practical effects and real-world locations. The goal appears to be a rougher, more realistic approach to the material.

Netflix wants to continue its partnership with Anna Kendrick. The streamer has teamed up with for her sophomore effort, an adaptation of Taylor Jenkins Reid’s bestselling novel “The Seven Husbands of Evelyn Hugo.”

Lilly says that, despite strong efforts, none of her latest projects have been able to get a greenlight—she believes it’s been a very difficult time to make movies because “fascism” is thriving:

Na’s last film, “The Wailing,” released 10 years ago, played out of competition at Cannes and remains one of the most quietly influential Korean films of the past decade.

If you are actually looking forward to this sequel, here’s our first look — above and below — at Lex Luthor in his warsuit in “Superman: Man of Tomorrow.”

The film blends suburban imagery, cosmic sci-fi, and prehistoric creatures. It comes to us from David Robert Mitchell, who hasn’t premiered a new film in eight years.

“Narnia: The Magician’s Nephew” recently held a test screening of a two-hour cut, though the visual effects were reportedly far from finished, making this a very rough version of the movie.

So far, “Obsession” has grossed $148M worldwide, with $105M of that total coming domestically—and it still hasn’t opened in a number of international markets.

Parsons confirmed that this is only the first chapter in a larger story, with multiple future installments needed to fully explore what he sees as the core of “Backrooms.”

‘Mandalorian’ will finish well below franchise expectations domestically. That $165M budget had many figuring the break-even point would be around $400M, but now I’m wondering if it’ll even hit $300M

Lucas worked on “THX 1138” and “American Graffiti,” and that became her breakout moment. This led to her working with Martin Scorsese on “Alice Doesn’t Live Here Anymore” and “Taxi Driver.”

Yes, in an era when blockbuster cinema gets louder and more chaotic, Rohrwacher is moving in the opposite direction — toward muteness. A silent film in 2026 sounds like a provocation.

There are no plot details yet, but THR reports the movie will have a different tone from ‘Terrifier’ and a noticeably bigger budget than Leone’s famously low-budget horror franchise.

According to Page Six sources, Amazon/MGM is reportedly looking for a younger actor — preferably under 30 — who can carry the franchise across five films.

I would keep an eye on those audience scores, which aren’t great — 73% on Rotten Tomatoes, and 52% definite recommendation, with a 67% positive on PostTrak. Word of mouth could stall by its second weekend.

Danny Boyle is finally tackling the status of the third “28 Years Later” movie, which, according to him, is still being planned, maybe for next year. Still, it’s nowhere near pre-production.

“Onslaught” will hit theaters on September 4, 2026. That’s 20 months since production wrapped. Maybe A24 was waiting for the right date to position this one. Labor day weekend it is.

Based on Matt Haig’s bestselling 2020 novel, the film is being positioned as a large-scale prestige production with a reported $70M budget, making it one of Europe’s biggest productions in recent years.