Barker’s “reimagining” is being described as a “fresh take” on the classic IP originally unleashed on terrified audiences by Tobe Hooper and Kim Henkel.

Jason Yu (“Sleep”) co-wrote the screenplay with Bong, who is reteaming with Neon for the first time since their 2019 Oscar winner “Parasite.” The film is expected to release next year.

Following five years of behind-the-scenes chaos, “Desert Warrior,” which carries a staggering $150M budget, was released by Vertical last weekend.

With two well-received feature films to her name, Kitty Green, director of “The Assistant” and “The Royal Hotel,” is setting up her next project, which is eyeing a shoot later this year.

“The Mandalorian and Grogu,” set to release on May 22, is the first Star Wars movie since 2019—an IP Disney is eager to revive in theaters, especially after the mixed reception of the last trilogy.

Stone will portray a baseball fan who accidentally touches a ball at the wall, turning it into a home run and costing her team a crucial game.

A few months ago, Paramount announced that Peter Berg would co-write and direct their “Call of Duty” movie, but a slight problem has now arisen.

What about the overlooked standouts of the 1970s? For me, “underrated” refers to films that quietly came and went—movies that are rarely discussed today.

While Tarantino directed “Django Unchained,” he will not direct this film, though the project reportedly carries his approval as it moves forward at Sony.

The traditional “90–120 minute movie” is no longer the standard, with filmmakers increasingly working in much longer formats. This shift might be due to the influence of streaming, and serial-style storytelling.

Black argues what many believe: that “Toy Story 3” was a perfect conclusion to the franchise, which is why he was frustrated by Pixar’s decision to make “Toy Story 4.”

James Gunn has confirmed that “The Authority,” which has been in development for several years at DC Studios, has been scrapped. It’s not happening.

Here’s our first look at “Jackass: Best and Last,” the final instalment of the Jackass franchise, which is set to release June 26, 2026. Come on, admit it, you’re curious about this one.

Ayer’s credits include “Fury,” “Harsh Times,” “Street Kings,” “End of Watch,” and “The Beekeeper.” As for “Suicide Squad,” it’s a film Ayer has since distanced himself from.

Pixar is breaking with tradition. “Toy Story 5” has been rated PG, marking the first time in the franchise’s history that an instalment has received anything other than a G.

Despite overreaction from critics, which framed the film as evasive, sanitized, and Razzie-worthy, “Michael” has finally opened to $97M in North America and $120M internationally.

There are ongoing discussions about the possibility of a fifth instalment, despite Keanu Reeves previously denying involvement in April 2025 and stating, “The character is dead. He died.”

For an actress once publicly ousted and humiliated by Disney, the sudden pivot feels odd—is Disney cracking open a door that might lead to a Star Wars return? What changed?

It sure sounds like Antoine Fuqua did not enjoy his time directing “Michael.” Hey, at least the film is looking at an incredible $95–100M opening this weekend. This movie will cement Fuqua as a bankable studio director.

This was a decade that popularized sequels, franchises, and testosterone-driven spectacle, but it was also a time when mid-budget, adult-oriented filmmaking still had a real presence.