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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and the Tomatometer: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Danny McBride's ‘G.I. Joe' Reboot Sets October 2028 Release Date

Paramount has dated its next “G.I. Joe” movie for October 20, 2028. Danny McBride directs from a script he co-wrote with Jeff Fradley and John Carcieri. Bradley Cooper has the lead role.

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Bruno Dumont Made His Next Film ‘The End’ Entirely With AI

Um, what? Bruno Dumont, one of the most uncompromising filmmakers alive, has made his next feature, "The End," entirely with generative AI.

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Sebastián Lelio, Oscar-Winning Director of ‘A Fantastic Woman,' Dies at 52

This one is shocking. Sebastián Lelio — the Chilean filmmaker behind “Gloria” and the Oscar-winning “A Fantastic Woman,” and one of the most vital voices in Latin American cinema this century — has died at just 52.

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‘Klara and the Sun' Averaged $17 Per Theater This Week, Sony Stops Tracking Box Office Receipts

The budget? That depends on who you ask. Sony originally pegged it at $20M, but it's now being reported at $40M. Given how studios try to lowball costs, I'd bet on the latter being the actual figure.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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George Lucas Admits He Walked Away From Three More ‘Star Wars' Movies

September 21, 2026 Jordan Ruimy

Yes, George Lucas started off his career with “THX-1138,” and “American Graffiti,” the latter is one of the defining films of the ‘70s, and then there was “Star Wars,” and the sequels — this woke up Hollywood to the multi-billion dollar potential of franchise filmmaking. He actually hasn’t helmed anything non-Star Wars since ‘Graffiti,’ which was released 53 years ago. No itch whatsoever to do something original. Hell, even his friend, Francis Ford Coppola, came out and said he “felt bad about George” wasting away his cinematic potential as a filmmaker.

That said, yesterday, Lucas sat down with Norah O'Donnell for an extended CBS Sunday Morning chat, and one admission will be making some waves. The man who built the most popular mythology in movie history says he retired with three more "Star Wars" films still on his plate, and he let them go because the clock was ticking, selling Lucasfilm to Disney.

"I'm 82, so there is a limit," Lucas said. He had "three more 'Star Wars' to make," but he wanted to build his museum more.

To be clear, these aren't secret new projects. He's talking about his own versions of Episodes VII, VIII and IX, the trilogy he'd started prepping before selling Lucasfilm to Disney in 2012. He'd already spoken to the actors. Kathleen Kennedy has said Lucas had reached out to Ford, Fisher and Hamill before she took over. Disney bought the company with his treatments in hand, then — misguidingly — threw them away.

Lucas was 69 at the time. Another trilogy meant another decade of his life. He picked his young daughter and the museum instead. He's called giving up "Star Wars" "very, very painful," and he's also admitted he expected more creative input on the sequels than he got. We all know how that turned out.

So what would his trilogy have looked like? Nobody really knows, because it kept changing. He once talked about exploring the "microbiotic world" of the Force,” mentioning Darth Maul and an apprentice, Darth Talon, rising through the underworld while Leia rebuilt the Republic and Luke rebuilt the Jedi. Pablo Hidalgo has said the 2012 treatment had a reclusive, despairing Luke who dies in Episode VIII. Hamill remembers it differently, with Luke training Leia and surviving to IX.

Back in 2024, Lucas mentioned how Disney didn’t use his ideas after he sold Lucasfilm to them in 2012 for $4 billion.

I was the one who really knew what “Star Wars” was…who actually knew this world, because there’s a lot to it. The force, for example, nobody understood the force. When they started other ones after I sold the company, a lot of the ideas that were in [the original] sort of got lost. But that’s the way it is. You give it up, you give it up.

Here's my take. Would I rather have seen Lucas' messy, midichlorian-heavy sequels than what Disney delivered? Honestly, yes. They'd have been divisive, but they'd have been his, with one coherent voice from start to finish. Instead we got two directors pulling in three directions. At least the man got his museum.

← David Robert Mitchell’s ‘They Follow’ Wraps FilmingParamount-Warner Bros. Merger Settlement Includes 30+ Theatrical Releases a Year — “The Opposite of Disney-Fox” →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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