Six decades on, the films of 1966 feel like the final year before the American New Wave would begin. The old guard was still present, but the rules were slowly being rewritten,

“Tony” is getting reshoots starting April 22. Hopefully, they can better this movie, which is eyeing a fall release and a likely premiere at TIFF.

Paramount’s “Avatar: Aang, The Last Airbender” isn’t supposed to come out until October 9, but it has apparently already leaked online. Paramount has yet to comment on the situation.

For Soderbergh, AI is not an existential crisis—it’s an unfamiliar instrument that he intends to learn, test, and potentially exploit creatively. In his own words, “My job is to deliver a good movie, period.”

What an amazing success “Project Hail Mary” has become. The film earned $7M on Friday and will have a $24M fourth weekend — that’s a very low 31% drop from the previous weekend.

With the Cannes Film Festival fast approaching, attention is now shifting to one of its most closely watched parallel sections: the Quinzaine des Réalisateurs (Directors’ Fortnight).

The project reportedly went through four major iterations and was close to animation when it was suddenly halted by Pixar boss Pete Docter.

There was a time when many believed Spielberg would direct the ambitious“Robopocalypse,” which tackles the story of humanity’s desperate last stand against an AI uprising.

It looks as though Netflix has axed Gia Coppola’s “Perfect,” which will no longer be moving forward at the streamer after star Millie Bobby Brown exited the project.

Neon is in talks to acquire Na Hong-jin’s “Hope.” The film stars Michael Fassbender and Alicia Vikander in lead roles, and will be in Cannes 2026 competition.

Vertical has now acquired the U.S. distribution rights to ‘Lord of War 2,’ and the film is slated for a 2027 theatrical release, with first footage set to be previewed at CinemaCon next week.

Jim Jarmusch is coming off his Golden Lion win at Venice for “Father Mother Sister Brother,” but he will not be resting on his laurels, as he’s already preparing to shoot his next film.

No release date has been set for this “X-Men” reboot, but Marvel currently has three release dates lined up for 2028 — May 5, July 28, and December 15.

I doubt there will be a longer film in this year’s competition. If you’re not a fan of Hamaguchi, consider yourself warned. For everyone else, it’ll be bliss.

I don’t know how much Marvel paid Robert Elswit to be cinematographer on this upcoming “Punisher,” but they clearly watched his night scenes in “Nightcrawler” and said, “We want THAT.”

Herzog completed filming on “Bucking Fastard” in May 2025. The film stars Kate and Rooney Mara as twin sisters, Joan and Jean, who live on the margins of society.

Zach Lipovsky and Adam B. Stein, who were not that well known before “Final Destination: Bloodlines,” have turned into much sought-after filmmakers.

‘Resident Evil’ has a trailer ready to release next week. If that’s the case, then I assume it’ll first debut during Sony’s CinemaCon panel on April 13 and drip online not too long after that.

Hill returns to the director’s chair with “Outcome,” which is being produced by Apple Original Films. The film was shot in early 2024 and has had some delays since then.