I just finished reading The Atlantic’s recent report on film-studies professors and, I won’t lie, a sense of dread set in almost immediately.

Helen has historically been described as “fair-skinned” and “blonde,” and is famously invoked through the oft-quoted phrase “the face that launched a thousand ships.”

I know, we’ve been here before—too many times. Terrence Malick’s long-gestating biblical epic “The Way of the Wind” remains in post-production, and that’s seven years after shooting wrapped.

I gather many of our readers went out to catch “Send Help” over the weekend—what did you think? I previously wrote that it’s Raimi’s best film since “Drag Me to Hell,” released nearly 17 years ago.

Christian Bale has so far collaborated on three films with director Scott Cooper—“Hostiles,” “Out of the Furnace,” and “The Pale Blue Eye”—and now a fourth collaboration is on the way.

Darren Aronofsky’s new, AI-driven project for TIME Magazine has stirred up quite the debate in the past 72 hours.

That Ti West–directed Scrooge movie, “Ebeneezer: A Christmas Carol,” starring Johnny Depp and backed by Paramount? It’s really happening.

We have entered a new era in movies, where a loyal YouTube following provides enough marketing to create a box office hit.

Principal photography on Gerwig’s “Narnia: The Magician’s Nephew” has wrapped in London. That makes it a six-month shoot, which started back in August.

If you were wondering about the status of Parker Finn’s “Possession” remake, we have a major update. We have our two leads. Callum Turner and Margaret Qualley will star.

Is it possible for anyone to evaluate “Melania” with complete objectivity? In these highly polarized times, the answer is a resounding hell no.

Argentine filmmaker Lisandro Alonso is set to direct a remake of “Taste of Cherry” — the 1997 Palme d’Or-winning film by late Iranian filmmaker Abbas Kiarostami. Wagner Moura will star.

the one big Sundance “sensation” to have swept Park City these last eight days dominated the awards — Beth de Araújo‘s “Josephine.”

The Canadian comic force who turned every frame she touched into something wonderfully off‑kilter, achingly real, and absolutely hilarious.

After endless delays, Vin Diesel just announced that “Fast & Furious 11,” which is titled “Fast Forever,” will hit theaters on March 17, 2028.

For the first time in nearly 20 years, I’m genuinely excited for the next installment of a franchise I’ve long ignored.

With “Marty Supreme” having firmly positioned Timothée Chalamet to win the Oscar for best actor, what a coincidence that a recent story dusted up an old narrative about Josh and Benny Safdie’s split.

This latest update on “The Brave and the Bold” has me digging up Gunn’s past comments criticizing Tim Burton’s and Christopher Nolan’s Batman movies.

There’s a new Sam Raimi movie hitting theatres today — “Send Help” — and it’s a devilishly entertaining one; his best in 18 years. Don’t miss it.

Blur’s Damon Albarn is working on the soundtrack for “Artificial,” Guadagnino’s upcoming film centered on Sam Altman. The OpenAI CEO is portrayed by Andrew Garfield.