Given that trajectory, the idea that a fourth instalment is now in active development doesn’t just make sense—it feels inevitable.

This year, strangely enough, going against annual tradition, Oscar nominations were announced before BAFTAS, lessening the excitement surrounding this morning’s announcement.

Fresh off her SAG nomination for supporting actress, “Marty Supreme” breakout Odessa A’zion has joined the cast of Sean Durkin’s “Deep Cuts,” which is being produced by A24.

A few days ago, a secret screening took place at Sundance — not for press or industry, but for buyers, particularly distributors.

Almost exactly a month after “Kill Bill: The Whole Bloody Affair” hit theaters, this unified and extended 275-minute cut is now setting its sights on physical media.

“Send Help” is gleefully sadistic, a morality play where greed, vanity, and cruelty collide in a constant game of escalation.

Raimi wrote and directed the 1990 superhero movie, which starred Liam Neeson as a scientist who returns from the dead to exact revenge on the people who burned him alive.

It’s more than enough that “Avengers: Doomsday” has December 2026, and. Its follow-up, “Avengers: Secret Wars,” will hit theaters a year later, but to milk it this way? Stop the madness!

Apparently, the feud started on the set of their 2017 film “Good Time,” with Benny cutting ties with his brother in 2023.

Some had predicted ‘Klara’ would surface in 2024, but that never materialized. The same whispers suggested a 2025 release — nope. Now it looks like 2026 will be the year.

Scott and Nolan actually have a history. The rapper’s song “The Plan” is the theme song on the soundtrack for Nolan’s “Tenet.”

DP Jarin Blaschke has confirmed, via his Facebook, that production on Robert Eggers’ “Werewulf,” which lasted a total of 77 days, wrapped in the UK this past week.

The USC Scripter is such a fervent precursor for the adapted screenplay category that it now seems very likely that “One Battle After Another” will win the category come Oscar night.

Natalie Portman decided to call out the Academy for snubbing a handful of female-directed movies this year, and namechecked some of the ignored titles.

Just a few months ago, Vanity Fair declared pop star Charli XCX the next queen of Hollywood. Hell, they even put her on the cover to celebrate her “moment.”

The Chris Pratt–led “Mercy” is headed for a $12M gross, following a $4.9M Friday. The film has a $60M budget, terrible reviews, and a mediocre “B-” CinemaScore.

Two years ago, Taika Waititi told Variety that his “Star Wars” movie, which is apparently still happening, “will be a Taika Waititi film,” and “It’s gonna piss people off.”

Attention ’90s indie cinephiles: Gregg Araki’s “I Want Your Sex” does exist, and just premiered at the Sundance Film Festival.

Sam Raimi’s fourth Spider-Man movie came awfully close to getting made in the late aughts, with Sony pushing it deep into pre-production mode.

Tonight, at Sundance’s famed Eccles Theatre—boy, am I going to miss that place—our first “sensation” screened: Beth de Araújo’s “Josephine.”