Sofia Coppola’s long-gestating, and suddenly canceled, adaptation of “The Custom of the Country” has undergone a major transformation, and not for the better.

“Send Help,” which has been described as “Misery” meets “Cast Away,” was penned by “A Quiet Place” duo Scott Beck and Bryan Woods.

If Elordi gets the job, he’d be the youngest 007 ever, which does align with previous reports that Amazon was looking for a young Bond to reboot the franchise.

Chalamet thus becomes the youngest male actor to accomplish this feat since the legendary Marlon Brando, who was nominated for “A Streetcar Named Desire” (1951), “Viva Zapata!” (1952), and “Julius Caesar” (1953).

It was one hell of a morning for Ryan Coogler’s “Sinners,” which earned a record-breaking 16 nominations this morning, further cementing it as the one film that could potentially beat “One Battle After Another” for best picture.

I just have a bad feeling about this one, and that’s despite Travis Knight’s involvement — he’s the director behind “Kubo and the Two Strings” and “Bumblebee.”

Interestingly, several perennially acclaimed titles from the NYT list — including “Moonlight,” “Get Out,” “The Social Network,” “Brokeback Mountain,” and “Children of Men” — are nowhere to be found.

Sure, why not? Universal and Oscar-winner Jamie Lee Curtis seem to believe there will be an audience for this one.

Remember when CGI felt like pure magic? Think T-1000 in ‘Terminator 2,’ or the dinosaurs stomping through “Jurassic Park.” Those effects knocked our socks off in the ‘90s.

In the last 20 years, Spielberg has transitioned from an exciting, daring filmmaker to an expert craftsman producing “mature,” old-school crafted movies.

Kazakh‑Russian filmmaker Timur Bekmambetov — perpetrator of that “Ben‑Hur” remake — is back with “Mercy,” starring Chris Pratt, Rebecca Ferguson, and hitting theaters this Friday.

It’s been a long, silent stretch since Lee Chang-dong’s “Burning” lit up Cannes in 2018. However, the revered South Korean filmmaker is now readying his return.

One of the more intriguing mysteries of the 2026 movie season has got to be Tom Cruise’s role in Alejandro G. Iñárritu’s “Digger.” What do they have in store for us?

For months now, James Gunn has been trying to keep it a secret who is writing his DCU’s next iteration of Batman, “The Brave and the Bold,” but now we have a name.

We have just started the movie year, but Deadline’s Justin Kroll is already teasing us about a major 2026 Oscar contender.

This is an impressive launch for a film with a $100M budget and marks Netflix’s strongest movie debut since last summer’s “Happy Gilmore 2,” which drew 46.7M views in July.

Ford’s first film in over 10 years has started production in Rome. A 10-week shoot is expected, with wrap happening sometime in late March.

Charlie Polinger impressed many with his debut, “The Plague,” a visually audacious and thematically unflinching descent into the psychological torture of being a bullied teenager.

Amy Adams, a six-time Oscar nominee, is a talented actress — I’d go as far as to say she’s reached greatness a few times in her career, but lately she’s been in a bit of a slump.

The transaction’s overall valuation remains $82.7 billion, and the changes are widely seen as the reason shareholders are now moving more quickly toward a vote, slated for April 2026.