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Keanu Reeves to Star in James Wan's ‘The Gangster, The Cop, The Devil’ Remake

Two weeks ago, I reported that James Wan's remake of the Korean film "The Gangster, The Cop, The Devil" for Paramount was scheduled to start production in April 2027. We now have a lead.

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First Look: Dwayne Johnson Is Almost Unrecognizable As “The Chicken Man” In Benny Safdie's ‘Lizard Music’

Here's our first look at Dwayne "The Rock" Johnson, 54, on the New York City set of Benny Safdie's "Lizard Music," a live-action/CGI hybrid now set for a Christmas 2027 release.

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David Fincher’s ‘Cliff Booth’ Clocks In at 140 Minutes — 60 Pages Trimmed From Tarantino’s Original Script: “It Was Essentially Two Movies”

So, this is interesting. Two movies. That's what David Fincher says he was handed when Quentin Tarantino's screenplay for “The Adventures of Cliff Booth” landed on his desk.

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Christopher Nolan's ‘The Prestige' Has 20th Anniversary Re-Release Teaser — January 29, 2027 in 70mm and IMAX

“The Prestige” is the filmmaker’s latest set for re-release. It'll play in 70mm and, for the first time ever, IMAX — with 35mm and digital 2D showings also on the menu.

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Netflix Expected to “Push Further Into Theaters” Under New CCO Peter Rice

This is all quite the 180 when you consider that for years, Ted Sarandos insisted that theaters were not a major part of Netflix's film plans. Those plans have now clearly changed, and a new era might be coming.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Rip’ Tops Netflix Charts With Impressive 41.6M Views in Just Three Days

January 20, 2026 Jordan Ruimy

“The Rip,” the latest action movie from Netflix starring Ben Affleck and Matt Damon, racked up 41.6M views in just its first three days on the platform. It’s also the ninth biggest debut in Netflix history.

This is an impressive launch for a film with a $100M budget and marks Netflix’s strongest movie debut since last summer’s “Happy Gilmore 2,” which drew 46.7M views in July. The performance also propelled The Rip to the top spot among all Netflix titles for the week of January 12–19.

“The Rip” follows a group of Miami cops whose trust begins to unravel after they find millions in cash inside a derelict stash house. Once word of the haul leaks out, things get messy, and no one knows whom they can trust anymore.

Directed by Joe Carnahan, a filmmaker known for both hits and misses, “The Rip” delivers a mixed bag. The film starts off strong, with tense moments and some intrigue, but becomes bogged down by mindless, glossy, Netflix-ized action in its final stretch.

Nevertheless, Carnahan will likely consider this a win, especially following last year’s perfunctory “Shadow Force,” which cost $50M and was a critical and commercial disappointment, earning only $4.5M worldwide.

As I wrote a few days ago, Carnahan’s 2002 breakout “Narc” is still the best thing he’s done — raw, intense, and stylish in all the right ways. Everything since has lived in its shadow. He’s leaned hard into pulpy, high-octane genre fare. His other notable credits include “The Grey,” “Smokin’ Aces,” “Copshop,” “Stretch,” “Boss Level,” and “The A-Team.”

Biggest Netflix debuts

  • “Red Notice” 75.6M views

  • “Back in Action” 46.8M

  • “Happy Gilmore 2” 46.7M

  • “Don’t Look Up” 46.6M

  • “The Mother” 42.9M

  • “Extraction 2” 42.8M

  • “Carry-On” 42M

  • “Leave the World Behind” 41.7M

  • “The Rip” 41.6M

← ‘Project Hail Mary’ is Already 2026’s First Oscar Contender?Léa Seydoux Joins Charlie Polinger’s ‘Red Death’ — Mikey Madison Stars in Dark Comedy of “Revenge” and “Opium-Laced Orgies” →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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