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Paramount-WBD Merger Gets Final Approval, Deal Set to Close Next Week

Paramount is now aiming to close the deal on Tuesday, October 6. That's when, after months of drama, twists and turns, the merger will become official.

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Alejandro G. Iñárritu Says ‘Digger’ Was Originally Titled ‘BLAH, BLAH, BLAH’

The title was ultimately changed because it was "too long" and "too complicated," though I suspect Warner Bros. was just horrified by the thought of selling a $180M movie with a title that sounds like an eye-roll.

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Zack Snyder Is Waiting for His ‘Rebel Moon’ Movies to “Get a Little Bit More Popular" and “Discovered” for Part 3 to Happen

Zack Snyder, whose 'The Last Photograph' still has no US distribution, doesn't sound so confident about 'Rebel Moon 3' ever happening, or that there's truly any demand for it.

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Variety: ‘One Battle After Another' Lost $100M. ‘Digger' Could Lose Warner Bros. Far More

The "Digger" fiasco caps a disastrous 2026 for Warner Bros., which watched "Coyote vs. Acme," the film it tried to bury (now at Ketchup), out-gross nearly all of its releases this year

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Carlos Reygadas' ‘Heil Jupiter!' Divides NYFF With Orgies, a Colonoscopy and Invented Language

I have no idea if I'll ever get to see "Heil Jupiter!" in a theater, and whether a U.S. distributor will take on nearly three hours of unsimulated sex, colonoscopy footage and an invented language is up for debate.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Léa Seydoux Joins Charlie Polinger’s ‘Red Death’ — Mikey Madison Stars in Dark Comedy of “Revenge” and “Opium-Laced Orgies”

January 20, 2026 Jordan Ruimy

UPDATE: This project just got even more interesting. Léa Seydoux has joined “The Masque of the Red Death.” The role she will play is that of “a scheming lady-in-waiting who is conniving her way to the top."

Seydoux has a handful of projects going into production this year, including Arnaud Depleschin’s “The Thing That Hurts,” and Leos Carax’s untitled next film. She’s also wrapped shooting The Zellner Brothers’ “Alpha Gang,” Arthur Harari’s “The Unknown,” and Marie Kreutzer’s “Gentle Monster.”

Seydoux, 40, broke out with the Palme d’Or winning “Blue is the Warmest Color,” and has gone on to build an impressive filmography, partnering with such directors as David Cronenberg, Wes Anderson, Denis Villeneuve, Yorgos Lanthimos, and Bertrand Bonello.

EARLIER: Charlie Polinger impressed many, myself included, with his Cannes-debut feature “The Plague,” a visually audacious and thematically unflinching descent into the psychological torture of being a bullied teenager.

Polinger has now lined up his next film, teaming up with A24 for “The Masque of the Red Death,” a modern, twisted take on the Edgar Allan Poe tale—and he’s brought along a newly minted Oscar starlet.

After the breakout that was “Anora,” Mikey Madison is finally making moves. The Oscar winner recently wrapped Aaron Sorkin’s “The Social Reckoning” and will lead Polinger’s film.

The filmmaker tells GoldDerby that he’s in prep mode on the film, which is supposed to start shooting in February. He is giving us more details about what to expect:

I'm actually currently in Budapest right now, doing pre-production scouts for it, which is shooting here in February. I don't know if I can say too much about it, but it's with A24 and yes, Mikey Madison is starring in it. It's a very high-energy dark comedy, also about a plague in a way, but it's extremely different. It's set in medieval times and takes place in a castle for the most part. It explores some similar group dynamics. But it's just a very different genre and it's more comedic.

Madison, who’s quickly developed a reputation for being ultra-selective post-“Anora,” has largely kept a low profile despite a surge of offers. Outside of a brief flirtation with Shawn Levy’s “Starfighter,” a Star Wars spin-off, and an attachment to the buzzy indie package “Reptilia.” Sorkin’s and Polinger’s films will be her post-Oscar vehicles—and who knows, maybe both will come out next year.

“Red Death” would have Madison playing dual roles—twin sisters separated by class in a decaying aristocracy. The story, set against the backdrop of a plague and a hedonistic prince’s castle, is said to include everything from “revenge-fueled drama” to “opium-soaked orgies.”

In the meantime, seek out Polinger’s “The Plague,” which is supposed to go wider this Friday. It’s currently playing in select New York and Los Angeles theaters.

← ‘The Rip’ Tops Netflix Charts With Impressive 41.6M Views in Just Three DaysFirst Look: Amy Adams Seeks Comeback with Kornél Mundruczó’s ‘At the Sea’ →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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