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Noah Baumbach's ‘Jay Kelly' Joins Criterion Collection; February Slate Includes ‘The Sweet Hereafter,’ and ‘Kung Fu Hustle’

Noah Baumbach's “Jay Kelly” is joining the Criterion Collection on February 16, 2027. It's one of the headliners of the newly announced February slate, and it's coming out barely a year after Netflix released it.

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Box Office: Johnny Depp's ‘Ebenezer' Leads ($21M+), Audiences Love It More Than Critics Do; ‘How to Rob a Bank' Bombs ($4M+), ‘Godzilla Minus Zero’ Drops 75%

The film opened in Europe on Wednesday, and the audience scores there have been very strong. Now American audiences agree: an "A-" on CinemaScore and a 90% audience score on Rotten Tomatoes.

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Kevin Spacey's Pandemic Conspiracy Thriller ‘The Awakening' Is Coming in November: “The Film They Don't Want You to See”

Who's "they," exactly? The Illuminati? The Deep State? Hard to say. The film premiered at Italy's Matera Film Festival on November 10. No reviews have trickled in yet.

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Sony's Tom Rothman Launches Best Picture Campaign for ‘Brand New Day’: “Are You Telling Me There Are 10 Films This Year That Are Better Than This Film?”

This is all Rothman’s idea, by the way. He’s going to pour millions into this campaign because he believes “Brand New Day” is a great movie.

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Dan Trachtenberg in Talks to Direct Marvel Solo Movie — Wolverine?

Dan Trachtenberg is in talks to write and direct an MCU movie for the Mutant era. Per the report, it's a theatrical feature. It's also a single-character film, not an ensemble piece.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Léa Seydoux Joins Charlie Polinger’s ‘Red Death’ — Mikey Madison Stars in Dark Comedy of “Revenge” and “Opium-Laced Orgies”

January 20, 2026 Jordan Ruimy

UPDATE: This project just got even more interesting. Léa Seydoux has joined “The Masque of the Red Death.” The role she will play is that of “a scheming lady-in-waiting who is conniving her way to the top."

Seydoux has a handful of projects going into production this year, including Arnaud Depleschin’s “The Thing That Hurts,” and Leos Carax’s untitled next film. She’s also wrapped shooting The Zellner Brothers’ “Alpha Gang,” Arthur Harari’s “The Unknown,” and Marie Kreutzer’s “Gentle Monster.”

Seydoux, 40, broke out with the Palme d’Or winning “Blue is the Warmest Color,” and has gone on to build an impressive filmography, partnering with such directors as David Cronenberg, Wes Anderson, Denis Villeneuve, Yorgos Lanthimos, and Bertrand Bonello.

EARLIER: Charlie Polinger impressed many, myself included, with his Cannes-debut feature “The Plague,” a visually audacious and thematically unflinching descent into the psychological torture of being a bullied teenager.

Polinger has now lined up his next film, teaming up with A24 for “The Masque of the Red Death,” a modern, twisted take on the Edgar Allan Poe tale—and he’s brought along a newly minted Oscar starlet.

After the breakout that was “Anora,” Mikey Madison is finally making moves. The Oscar winner recently wrapped Aaron Sorkin’s “The Social Reckoning” and will lead Polinger’s film.

The filmmaker tells GoldDerby that he’s in prep mode on the film, which is supposed to start shooting in February. He is giving us more details about what to expect:

I'm actually currently in Budapest right now, doing pre-production scouts for it, which is shooting here in February. I don't know if I can say too much about it, but it's with A24 and yes, Mikey Madison is starring in it. It's a very high-energy dark comedy, also about a plague in a way, but it's extremely different. It's set in medieval times and takes place in a castle for the most part. It explores some similar group dynamics. But it's just a very different genre and it's more comedic.

Madison, who’s quickly developed a reputation for being ultra-selective post-“Anora,” has largely kept a low profile despite a surge of offers. Outside of a brief flirtation with Shawn Levy’s “Starfighter,” a Star Wars spin-off, and an attachment to the buzzy indie package “Reptilia.” Sorkin’s and Polinger’s films will be her post-Oscar vehicles—and who knows, maybe both will come out next year.

“Red Death” would have Madison playing dual roles—twin sisters separated by class in a decaying aristocracy. The story, set against the backdrop of a plague and a hedonistic prince’s castle, is said to include everything from “revenge-fueled drama” to “opium-soaked orgies.”

In the meantime, seek out Polinger’s “The Plague,” which is supposed to go wider this Friday. It’s currently playing in select New York and Los Angeles theaters.

← ‘The Rip’ Tops Netflix Charts With Impressive 41.6M Views in Just Three DaysFirst Look: Amy Adams Seeks Comeback with Kornél Mundruczó’s ‘At the Sea’ →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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