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Steven Spielberg Will Direct a Stage Musical, Written by Tony Kushner

Kushner has been Spielberg's go-to screenwriter for two decades now: "Munich," "Lincoln," "West Side Story" and "The Fabelmans." All four were Best Picture nominees.

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Guy Maddin to Direct ‘The Confessions,’ Starring Alexander Skarsgård, Hunter Schafer, Maya Hawke and Harry Melling

Before "Rumours," Guy Maddin, the great Canadian surrealist, hadn't shot a feature in more than seven years. Now, two years after that film premiered at Cannes, he already has his next one lined up.

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‘Dune: Part Three' Social Embargo Lifts December 2, Reviews Drop December 9

This morning, invites went out to press for screenings of Denis Villeneuve's "Dune: Part Three." I got one, and my screening is set for December 1. That's 17 days before the film opens in theaters.

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Lee Cronin’s ‘A Nightmare on Elm Street’ Reboot Is Dead at Warner Bros, Paramount Now in Charge

Warner's version, which had ‘Evil Dead Rise’ director Lee Cronin in talks to write and direct, has been shelved. That leaves only Paramount Primal with plans to make a new Elm Street movie.

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Ari Aster's ‘Scapegoat' Script Is Exactly What You'd Expect: Influencers, Neo-Nazis, ICE Raids, Erika Kirk and… Nukes

"Scapegoat" is a lot. It's a hospital procedural, a doxxing noir, a marital thriller and an apocalypse satire all at once, and, much like "Eddington," the back half turns into a string of absurd, gory set pieces.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

World of Reel

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‘Wuthering Heights’ Underperforms? $38M 4-Day Weekend Expected [Updated]

February 14, 2026 Jordan Ruimy

UPDATE: Things are not looking too good for Emerald Fennell’s “Wuthering Heights,” at least when compared to the $50M opening that seemed practically locked just a few days ago.

Fennell’s divisive romance tallied $8M on Friday — not good. Warner Bros. is praying that an onslaught of ticket buyers will show up today for Valentine’s Day. Otherwise, the film is currently looking at $38-$40M for the four-day weekend.

Now, that’s a pretty good number for an R-rated Brontë adaptation—in fact, it’s performing better than it had any right to—but those amazing presales that led many to expect $50M have not translated into stellar walk-ups.

EARLIER: Those “Wuthering Heights” reviews might have slightly tamped down its box office prospects. As you know, critics are very mixed on this movie, which has a 57 on Metacritic and 65% on Rotten Tomatoes.

Early word is that “Wuthering Heights,” which as late as yesterday was being projected by the trades to have a $50–$55M opening, won’t be hitting that mark. On Thursday, it earned only $3M in previews and is now eyeing $40M over the holiday weekend, which stretches through Monday.

Just to put things into perspective: most recently, “Send Help” had a $3M Thursday, and went on to have a $21M weekend — albeit I expect “Wuthering Heights” to have a higher tally due to an inevitable Valentine’s Day bump on Saturday.

Furthermore, a Puck report has Warner Bros. spending a whopping $85M on marketing “Wuthering Heights,” and it shows—the promo for this film has been all hands on deck, with stars Margot Robbie and Jacob Elordi leading the charge.

Here’s the issue for this film: it also cost $80M to produce, and with that $85M marketing spend added in, “Wuthering Heights” will need to tally around $330M+ worldwide to break even. Doable? Sure. But word of mouth will have to be strong for this one to have legs at the box office.

What’s even more worrisome is that the international numbers don’t look any better — it won’t make more than $30M overseas this weekend, and that’s a generous number to begin with. It doesn’t help that reviews in Europe have been quite bad, especially in France where the film is being ridiculed by critics.

Regardless, we’ll be keeping an eye out on this one, and as mentioned, a V-Day bump is incoming, so not all is lost at the moment, but things have started out rather grimly for this film.

← Berlin Film Festival Pushes Back on Media Controversy: “Artists Should Not Be Expected To Speak On Every Political Issue”‘Josephine’ Acquired by .. Sumerian Pictures?! →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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