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Paramount and California AG Set October Settlement Talks Over $111 Billion Warner Bros. Discovery Bid

The timing is interesting. The settlement talks will occur nearly a month after the $7 million-per-day ticking fee start tabulating, which puts real pressure on Paramount to get this done.

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RUMOR: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Adam Wingard on Leaving ‘Godzilla x Kong’ Sequel: “The Best Decision I've Ever Made"

Adam Wingard confirms that after the last "Godzilla" movie, he and Legendary were deep into a third one — he'd already started filling the script with Easter eggs teasing another return. And then he bailed.

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‘The Fix,’ Starring Zachary Levi and Liam Neeson, Hits 19% on Rotten Tomatoes — Box Office Numbers Not Available

“The Fix” might have set a record for the number of production credits: 46 producers are listed! Yeah, maybe that is a record. It’ll take half the end credits to name them all.

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Jessica Lange and Ed Harris' ‘Long Day's Journey Into Night' Lands September U.S. Release — 4 Years After It Wrapped

Quiver, a tiny specialty distributor that makes even Vertical and Briarcliffe look behemoth, has picked up U.S. distribution of the long-delayed film from fellow micro-indie Blue Fox.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Coyote vs. Acme’ Scores 94% on Rotten Tomatoes, But Is Tracking for Weak $6–8M Opening

August 12, 2026 Jordan Ruimy

UPDATE: No surprise: very positive reviews have greeted “Coyote vs. Acme” — but is this simply a case of critics trying to stick it to Warner Bros. for practically deleting the film, or is the praise genuine? It could very well be both.

The aggregates: 75 on Metacritic (based on 18 reviews) and 94% on Rotten Tomatoes (based on 36 reviews). Honestly? Those are good enough reviews for “Coyote vs. Acme” to potentially land an Oscar nomination for Best Animated Feature. First, though, we need to find out whether it’s even eligible, since the Academy requires animation to account for 75% or more of the film’s runtime.

That said, I do have to mention that the film is currently tracking for a weak $6–8M opening weekend, which is not exactly encouraging—especially considering the $50M price tag Ketchup paid to acquire it. What were they thinking? Don’t get me wrong, it was such a good Samaritan move on their part, but given the economics of the deal, I’m sure I’m not the only one who has seen the jokes online about Ketchup being a money-laundering operation.

EARLIER: The whole point of the backlash over Warner Bros. shelving “Coyote vs. Acme,” and nearly writing it off into oblivion for tax purposes, was the widespread belief that it was a genuinely great film and didn’t deserve to go unseen.

Unlike, say, “Batgirl,” the test scores for “Coyote vs. Acme” were very high, and beyond the commercial concerns, there was no reason to bury the film since it was actually, you know, good—and quite possibly the best Looney Tunes movie ever made.

Well, the film has started screening. Yes, some of the usual suspects have chimed in, but I can also tell you that I’ve spoken to a handful of people who really liked it. Many of the reactions suggest it’s the best live-action/animation hybrid since “Who Framed Roger Rabbit.”

There haven’t been many truly great films of that kind, where cartoon characters interact with real actors. “Cool World” attempted a similar concept, “Paddington 2” is arguably the best modern example, while others include “Space Jam” “Mary Poppins Returns” and “Chip ’n Dale: Rescue Rangers.”

Last year, Ketchup Entertainment acquired the worldwide rights to “Coyote vs. Acme,” reportedly paying somewhere in the vicinity of $50M for it. They will give “Coyote vs. Acme” a theatrical release this coming August 28, much like their other Looney Tunes acquisition, “The Day the Earth Blew Up,” which was originally produced by Warner Bros.

That film opened to only $3M, and there’s obviously some doubt about how well “Coyote vs. Acme” can actually perform at the box office, even with great reviews.

You might be asking: where did Ketchup get this kind of money ($50M!) to save “Coyote vs. Acme”? The truth is that nobody really knows. Even the trades were dumbfounded. Maybe their primary source of revenue is selling ketchup. We don’t know.

Regardless, we’ll finally get to see what the big deal was when the film—starring John Cena and Will Forte—arrives in theaters, currently eyeing an August 28, 2026, release. Will it be a breakout hit, or just another “The Day the Earth Blew Up”?

← DGA and IATSE Back Paramount’s Warner Bros. Merger, Urge AG Rob Bonta to Drop LawsuitAlden Ehrenreich Joins Joseph Kosinski’s ‘Miami Vice ’85’ With Michael B. Jordan and Austin Butler →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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