• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
‘Cliff Booth' and ‘Werwulf' Get R Ratings, Officially Done With Post-Production

‘Cliff Booth’ has been rated R for "some strong/disturbing violence, bloody images, pervasive language, sexual content, nudity and drug use." That's what you get when Tarantino writes your script

Read more →
IMG_1695.jpeg
James Gray Is Now Writing Julia Roberts Thriller ‘Kill Your Darlings,’ Says ‘The Sun Also Rises' Would Cost $180 Million

James Gray is now speaking about what’s next. He’s given extensive updates on where many of his other projects stand. The news is promising for at least one of them.

Read more →
IMG_1676.jpeg
Variety Says ‘Clayface' Won't Break Even Theatrically

Based on previous trade reporting, we were under the assumption that "Clayface" would be in the green by the end of its run. Variety's sources claim it won't be.

Read more →
IMG_8921.webp
Ridley Scott's ‘Treasure Island' With Hugh Jackman Delays November Start as Director Recovers From “Medical Procedure”

November 1 was supposed to be the day Ridley Scott's "Treasure Island" started production. Scott said so himself back in August, and Sony even built its calendar around that start date.

Read more →
IMG_1670.webp
Werner Herzog's Next Documentary ‘Walk of Life' Follows Man Who Walked Home for 28 Years — Targets 2027 Premiere

Karl Bushby's trek was wild, to say the least. He set off from Punta Arenas, Chile, in November 1998, expecting the walk to take about 12 years. It took 28.

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Yearly Top Tens
  • Interviews

DGA and IATSE Back Paramount’s Warner Bros. Merger, Urge AG Rob Bonta to Drop Lawsuit

August 12, 2026 Jordan Ruimy

Since September 2025, Christopher Nolan has been serving as president of the Directors Guild of America, placing him squarely at the center of Hollywood’s most important existential threats.

Back in February, when it looked like Netflix might acquire Warner Bros., Nolan publicly came out opposed to the deal, citing “very significant concerns” about the potential merger. He did not believe Netflix’s theatrical rollout promises.

So, it should not come as much of a surprise that Nolan’s DGA has now come out in support of Paramount merging with Warner Bros. and is telling California AG Rob Bonta to back off his 12-state lawsuit against David Ellison.

The DGA and IATSE are urging AG Bonta and Paramount/Skydance CEO David Ellison to settle Bonta’s antitrust lawsuit. The unions argue that, while they generally see limited benefits for workers from mergers, the prolonged uncertainty surrounding this deal is worsening conditions in an already struggling industry.

In the letter, the unions said the March 2 trial date is “damaging” because productions have reportedly been delayed or canceled, further shrinking employment opportunities. Their position puts them at odds with the Writers Guild of America, which has filed its own antitrust lawsuit seeking to block the merger.

As our members struggle to find employment, the uncertainty surrounding the proposed merger is only making matters worse,” the letter states. “We are aware of productions that have been put on hold or canceled altogether, leading to further reductions in available work for our members and other industry workers.

The DGA and IATSE are instead proposing conditions and commitments, all of which Paramount has already accepted, including keeping the two studios as separate entities, having each produce at least 15 films annually, and continuing to license content from outside production companies at pre-merger levels. In other words, they are siding with Ellison.

It’s a pretty remarkable turnaround for the DGA and IATSE. Just months ago, they were warning about the “dangers of consolidation.” Now they’re effectively telling regulators to stop fighting the Paramount-Warner Bros. deal. Then again, they no doubt would rather have Paramount at the helm than Netflix, which is the untold story here—and something many outlets will overlook in their reporting of tonight’s letter. This isn’t necessarily about suddenly becoming pro-merger. It’s about choosing the lesser of two evils.

The DGA and IATSE are two of the most powerful showbiz unions, and If this merger does go through, they will have absolutely played a role in helping make it happen.

← Drew Starkey Teases Role in Luca Guadagnino’s ‘American Psycho,’ Which Reportedly Has No Killings Until the Climax‘Coyote vs. Acme’ Scores 94% on Rotten Tomatoes, But Is Tracking for Weak $6–8M Opening →

FOLLOW US!

Newsletter Block
This newsletter signup form needs a storage option. Edit the block and enter a storage location via the Storage tab.

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_1593.jpeg
Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

Read more →
IMG_1581.jpeg
James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

Read more →
IMG_1467.jpeg
Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

Read more →
IMG_1454.webp
Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026