Roth describes it as “the ultimate haunted house movie, like the craziest one.” Shooting is expected to kick off in June.

Carnahan is now telling saying that he’s still working on the project, won’t use the ‘Raid’ IP due to creative disputes with the producers, and that, yes, it will be better than the original.

Tim Miller is back. The man has only directed two films in his career, had his last one creatively interfered with by James Cameron, and was kicked out of another by Ryan Reynolds.

J.J. Abrams’ comeback vehicle—his first film since “Rise of Skywalker”—is officially titled “The Great Beyond” and will hit theaters on November 13.

Desplechin’s most acclaimed work: “A Christmas Tale,” “Kings and Queens,” and “My Golden Days.” His last film was one of his weaker efforts, “Two Pianos,” which had to settle with a TIFF world premiere last September.

Margaret Qualley, Drew Starkey and Michael Shannon are set to star in Nichols’ next film, “King Snake,” with FilmNation Entertainment producing.

For context, last year’s “28 Years Later,” directed by Danny Boyle, pulled in $5.8M in previews during a standard three-day opening in June.

Johnson’s decision not to make his trilogy of films at Lucasfilm makes sense on a purely mental health level. Why would he ever want to go through all that madness again?

Sarandos says Warner Bros will keep operating much as it does now, including a firm 45-day theatrical window. He’s committed to “win the box office.”

Kennedy acknowledged that while Lucasfilm has attracted some of the most sought-afterfilmmakers working today, boldness and risk aversion remain in tension — leaving many projects alive, or quietly stalled.

Over the next week or two, Disney will make official what’s been an open secret for quite some time now: Kathleen Kennedy is leaving her position as president of Lucasfilm.

Here’s THR’s Heat Vision reporting that Glen Powell is teaming up with filmmaker Sam Esmail for a sci-fi film titled “Tesseract,” which has landed at Amazon/MGM and United Artists.

After the acclaim of his recent comedy, “Splitsville,” not to mention his well-shot indie debut “The Climb,” Michael Angelo Covino has found his follow-up over at Netflix.

Cameras started rolling in July on ‘Cliff Booth,’ and now, almost six months later, David Fincher has wrapped.

Gilroy has hired a staggering seven composers to work on the film, including James Newton Howard (”The Hunger Games”) and, I can also confirm, Alan Silvestri (”Back to the Future,” “Forrest Gump”).

After midnight tonight, at 3 a.m., Netflix will release a new film starring Ben Affleck, Matt Damon, and Teyana Taylor—without any reviews available.

Given her pedigree, I’ll always write about what Blanchett does next. That said, her next film is apparently going to revolve around riding dragons in IP land.

For a moment, I had to make sure this image was real, and not some other deepfake. No, it’s genuine — this is Turner as Lara Croft.

If Warner Bros. are really planning to go head-to-head with a potential juggernaut like “Avengers: Doomsday,” then I say: why not? Movie theaters desperately need another “Barbenheimer,” and this would surely do the trick.

We finally have our first full trailer for Maggie Gyllenhaal’s “The Bride” — and, honestly, this is an absolute barrage of images, with barely any plot to decipher from.