The film remains the #1 box-office title, pulling in nearly $140M domestic and $230M worldwide on a $38M budget. A strong digital haul now seems inevitable for Warner Bros

Anderson is also back on TCM, programming five films set to air the day “One Battle After Another” opens. While not directly cited as inspirations, the connective tissue is clear.

Here’s the “Wuthering Heights” trailer. It’s visually stunning. All hail, DP Linus Sandgren. The cinematography looks beautiful, and it’s easily the trailer’s clearest highlight.

Schnabel’s “In the Hand of Dante” is the sort of movie that announces its importance before it’s even begun—and then spends the next two and a half hours trying to convince you it is.

Waller-Bridge (“Fleabag”), who claims to have been “obsessed” and “grew up playing Tomb Raider,” is not only supposed to executive produce the series, but is writing all of the episodes.

Even before anyone had seen it, it was almost inevitable to predict that Kaouther Ben Hania’s “The Voice of Hind Rajab” could take home the Golden Lion.

Here’s Inverse’s Mark Hill on the half-decade anniversary of Christopher Nolan’s most polarizing film: “5 Years Later, 'Tenet' Is Still A Divisive Mess.”

Fewer than 24 hours after its rave-fueled Venice premiere, Netflix has at last dropped the trailer for Kathryn Bigelow’s “A House of Dynamite.”

The wider pool of critics aren’t weighing in just yet, and I expect more reviews to come in the next few days, but there’s still enough of them for the film to have an 80 Metascore and 94% on·Rotten Tomatoes.

Well, this is certainly one way to promote your movie. The title isn’t even mentioned. 99.9% of people who notice them won’t know about the “Wuthering Heights” connection.

After months of insisting it belonged only on the big screen, Francis Ford Coppola has now deemed Megalopolis fit for the living room—the film hits digital platforms tomorrow.

The central dynamic is essentially a duel between the villain played by Jack O’Connell and Ralph Fiennes’ bone shriner, Dr. Ian Kelson, who has a larger role than in the first instalment.

This is supposed to be Gus Van Sant’s comeback? After seven years away, the director of “Elephant,” “Drugstore Cowboy,” and “Good Will Hunting” returns with a strange, oddly inert film.

“Good Luck, Have Fun, Don’t Die” is set to be Gore Verbinski’s first film in over nine years. He’s assembled an excellent cast for his comeback vehicle.

Bigelow’s film lands an 88 on Metacritic, and just like that, Netflix has their shiny new awards-season thoroughbred. Move over, “Jay Kelly.”

I wasn’t sure this one would ever land U.S. theatrical distribution … Then again, we’re in the era of Briarcliff, Ketchup, and Vertical.

Universal had originally staked out October 23, 2026 for Peele’s fourth feature, but that date is now gone.

The doc seems to delight in the chaos. The logistics, before, and during production, must have been a total nightmare to experience for cast and crew. Coppola, financing his own dream project, comes off as a control freak.

Rian Johnson is probably less than thrilled—but he did sign on to these ‘Knives Out’ movies fully aware of Netflix’s well-known aversion to the theatrical model.

The official social channels tied to the project have recently been updated. I’m now being told that a trailer is actually set to release on Wednesday.