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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Anya Taylor-Joy Had a Miserable Time on ‘Furiosa,’ But She Still Refuses to Talk About It

June 17, 2026 Jordan Ruimy

We already know about the mythic behind-the-scenes chaos on the set of George Miller’s “Mad Max: Fury Road.” It’s been well researched and reported for over 10 years, and culminated in Kyle Buchanan’s excellent book “Blood, Sweat & Chrome.”

There have been many anecdotes about Charlize Theron and Tom Hardy clashing on set, as well as stories about how difficult it can be to work with a perfectionist like Miller. The filmmaker’s insistence on physical realism meant that the cast and crew often had to repeat long, grueling sequences in harsh conditions until the exact visual rhythm was achieved—one reason the film has earned a reputation as a technically extraordinary achievement.

It looks like the chaos continued on in “Furiosa.” Anya Taylor-Joy, the star of Miller’s film, had previously been very cryptic about what she endured during the shoot, echoing Theron’s earlier comments regarding working on one of these “Mad Max” movies and the challenging experience—both physical and mental—that comes with them. It seems to be a typical day’s work on the set of a George Miller movie. Here’s Taylor-Joy …

I’ve never been more alone than making that movie […] I don’t want to go too deep into it, but everything that I thought was going to be easy was hard.

When pressed by the interviewer to go deeper into what was so “hard,” and what made her feel so “alone,” the actress replied, “Next question, sorry. Talk to me in 20 years. Talk to me in 20 years.”

Two years later, in a new THR interview, journalist Seth Abramovitch tries to get something out of Taylor-Joy about her experience on Furiosa, and once again she is cryptic, but makes it clear that there are still lingering scars from the film’s shoot:

She is careful about how much she’ll say about Miller. “It’s a very difficult conversation to have,” she says. “If I were to be completely honest about my experience, it would hurt nobody but myself.” She can look at the film now and understand what he was going for.

Taylor-Joy spent six months in Australia filming “Furiosa,” much of it on location in the Australian outback and desert regions under very remote conditions — they reportedly spent 78 days shooting what ultimately amounted to a 15-minute action sequence.

Miller has a reputation as a precise, highly demanding director who typically relies on extensive storyboarding and pre-visualization, with a strong emphasis on technical accuracy. Taken together, it’s easy to see why Theron, Hardy, and Taylor-Joy were physically and psychologically pummelled working with Miller.

One can only assume a fuller story may emerge one day about what Taylor-Joy is hinting at here, or maybe again a whole book about the film’s making, but it does sound like she went through a very challenging time making it.

← Ari Aster’s ‘Scapegoat’ Sounds Like ‘Eddington’ 2.0, With Jake Paul-, Erika Kirk-Inspired Characters and Social Media Backlash [Updated]‘Spider Man: Brand New Day' Trailer Drops, Already 1M Views on YouTube in Less Than An Hour →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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