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Danny Boyle's ‘Ink' TIFF Q&A Cut Short After Audience Member Grills Him on AI Use

Boyle's answer was met with a shout of "Never do that shit again" from the crowd, and the TIFF moderator swiftly brought the Q&A to a close, thanking everyone for coming.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Anya Taylor-Joy Had a Miserable Time on ‘Furiosa,’ But She Still Refuses to Talk About It

June 17, 2026 Jordan Ruimy

We already know about the mythic behind-the-scenes chaos on the set of George Miller’s “Mad Max: Fury Road.” It’s been well researched and reported for over 10 years, and culminated in Kyle Buchanan’s excellent book “Blood, Sweat & Chrome.”

There have been many anecdotes about Charlize Theron and Tom Hardy clashing on set, as well as stories about how difficult it can be to work with a perfectionist like Miller. The filmmaker’s insistence on physical realism meant that the cast and crew often had to repeat long, grueling sequences in harsh conditions until the exact visual rhythm was achieved—one reason the film has earned a reputation as a technically extraordinary achievement.

It looks like the chaos continued on in “Furiosa.” Anya Taylor-Joy, the star of Miller’s film, had previously been very cryptic about what she endured during the shoot, echoing Theron’s earlier comments regarding working on one of these “Mad Max” movies and the challenging experience—both physical and mental—that comes with them. It seems to be a typical day’s work on the set of a George Miller movie. Here’s Taylor-Joy …

I’ve never been more alone than making that movie […] I don’t want to go too deep into it, but everything that I thought was going to be easy was hard.

When pressed by the interviewer to go deeper into what was so “hard,” and what made her feel so “alone,” the actress replied, “Next question, sorry. Talk to me in 20 years. Talk to me in 20 years.”

Two years later, in a new THR interview, journalist Seth Abramovitch tries to get something out of Taylor-Joy about her experience on Furiosa, and once again she is cryptic, but makes it clear that there are still lingering scars from the film’s shoot:

She is careful about how much she’ll say about Miller. “It’s a very difficult conversation to have,” she says. “If I were to be completely honest about my experience, it would hurt nobody but myself.” She can look at the film now and understand what he was going for.

Taylor-Joy spent six months in Australia filming “Furiosa,” much of it on location in the Australian outback and desert regions under very remote conditions — they reportedly spent 78 days shooting what ultimately amounted to a 15-minute action sequence.

Miller has a reputation as a precise, highly demanding director who typically relies on extensive storyboarding and pre-visualization, with a strong emphasis on technical accuracy. Taken together, it’s easy to see why Theron, Hardy, and Taylor-Joy were physically and psychologically pummelled working with Miller.

One can only assume a fuller story may emerge one day about what Taylor-Joy is hinting at here, or maybe again a whole book about the film’s making, but it does sound like she went through a very challenging time making it.

← Ari Aster’s ‘Scapegoat’ Sounds Like ‘Eddington’ 2.0, With Jake Paul-, Erika Kirk-Inspired Characters and Social Media Backlash [Updated]‘Spider Man: Brand New Day' Trailer Drops, Already 1M Views on YouTube in Less Than An Hour →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

Read more →
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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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