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Danny Boyle on ‘28 Years Later: Part III': “We Gotta Raise the Money for It"

Garland's script is written. Boyle called it "fantastic" in that same interview, Murphy says he's ready, and Boyle wants to direct. All that's missing is the money.

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Noah Baumbach's ‘Jay Kelly' Joins Criterion Collection; February Slate Includes ‘The Sweet Hereafter,’ and ‘Kung Fu Hustle’

Noah Baumbach's “Jay Kelly” is joining the Criterion Collection on February 16, 2027. It's one of the headliners of the newly announced February slate, and it's coming out barely a year after Netflix released it.

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Box Office: Johnny Depp's ‘Ebenezer' Leads ($21M+), Audiences Love It More Than Critics Do; ‘How to Rob a Bank' Bombs ($4M+), ‘Godzilla Minus Zero’ Drops 75%

The film opened in Europe on Wednesday, and the audience scores there have been very strong. Now American audiences agree: an "A-" on CinemaScore and a 90% audience score on Rotten Tomatoes.

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Kevin Spacey's Pandemic Conspiracy Thriller ‘The Awakening' Is Coming in November: “The Film They Don't Want You to See”

Who's "they," exactly? The Illuminati? The Deep State? Hard to say. The film premiered at Italy's Matera Film Festival on November 10. No reviews have trickled in yet.

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Sony's Tom Rothman Launches Best Picture Campaign for ‘Brand New Day’: “Are You Telling Me There Are 10 Films This Year That Are Better Than This Film?”

This is all Rothman’s idea, by the way. He’s going to pour millions into this campaign because he believes “Brand New Day” is a great movie.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jafar Panahi Has Returned to Iran, Faces One Year in Prison

April 1, 2026 Jordan Ruimy

Iranian filmmaker Jafar Panahi has returned to Iran, sources tell Iran International, this after Panahi was campaigning his Palme d’Or film, “It Was Just An Accident,” since last fall in the US and Europe.

According to the outlet, Panahi entered Iran on Tuesday by land via Turkey due to flight restrictions. Panahi previously stated he would return to Iran after the Oscars, despite potential risks, including an active warrant for his arrest.

A brave man. Anyone else would have avoided going back to Iran like the plague, but Panahi is making a statement — and that’s despite the Iranian regime’s multiple attempts to destroy him, his family, and his art.

Back in December, Panahi had been sentenced, in absentia, to one year in jail by the Iranian Revolutionary Court. Given the outstanding warrant for his arrest, immediate incarceration likely awaits him.

What did Panahi do exactly to warrant going back to jail? Well, he made art. The official complaint against him was mainly related to accusations of “propaganda against the state.” Iranian authorities specifically cited this film as part of the accusations leading to his one-year prison sentence.

“It Was Just An Accident” had been shot secretly last year, without an official permit in Iran. During production, some crew members were reportedly detained or questioned. According to a recent account, after just one day of filming, some team members were arrested. Before the Cannes premiere, some associated with the film — including female actors — were reportedly summoned by Iran’s “Ministry of Intelligence.”

Making this film was an undeniably courageous act. In my review, I questioned what consequences Panahi might face upon returning home. I hope he remains safe and untouched — but I can’t shake the feeling that he won’t.

← John Travolta Heads to Cannes With Surprise Directorial Debut ‘Propeller One-Way Night Coach’A24 Picks Up Panos Cosmatos’ ‘Flesh of the Gods’ Starring Kristen Stewart, and Wagner Moura →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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