I don’t think anybody saw this coming.
John Travolta is headed to Cannes with his directorial debut, “Propeller One-Way Night Coach,” an adaptation of the book published in 1997. The film, produced by Apple Original Films, will be presented in the Cannes Premiere section.
Inspired by Travolta’s childhood memories, from his first airplane flight to the people and stories he has collected over the years, the story unfolds as a nostalgic journey set in the golden age of aviation.
Young airplane enthusiast Jeff (played by newcomer Clark Shotwell) and his mother (Kelly Eviston-Quinnett) set off on a one-way cross country odyssey to Hollywood, which transforms a simple flight into the trip of a lifetime. Between airline meals, charming flight attendants (played by Ella Bleu Travolta and Olga Hoffmann), unexpected stopovers, larger-than-life passengers, and a thrilling glimpse at first class, the journey unfolds in moments both magical and unexpected, charting the course for the boy’s future.
Following its Cannes premiere, “Propeller One-Way Night Coach” will make its global debut on Apple TV on May 29, 2026.
Word is that Travolta’s film is “mid-length,” which means 70 minutes? Regardless, how dire must U.S. presence be to announce this? If you look at some of the more recent advance screening Cannes announcements, they included “Top Gun: Maverick,” “Elvis,” “Indiana Jones 5,” “Killers of the Flower Moon,” and “Mission: Impossible: Final Reckoning.”
I’m not suggesting in any way that Travolta’s film won’t be good, but given the lack of American presence at Cannes — something the trades and Oscar bloggers seem to be complaining about — if “Propeller One-Way Night Coach” is the best we’re going to get, then those critics will have their knives sharpened.