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Brian Tyree Henry Joins Matt Reeves’ ‘The Batman: Part II’
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Asghar Farhadi’s ‘Parallel Tales’ Panned at Cannes
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James Bond Search Officially Begins as Amazon/MGM Starts Auditions for 007 Under Denis Villeneuve
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Pawel Pawlikowski’s ‘Fatherland’ Earns RAVES, But Feels More Beautiful Than Profound [Cannes]
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James Cameron Says ‘Avatar’ is “Hideously Expensive,” Warns Future Films Can Only Be Made “in Half the Time for Two-Thirds of the Cost”
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Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

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Paramount Sends ‘Scream 7’ to PVOD After 31 Days, Raising Questions About Theatrical Windows

March 30, 2026 Jordan Ruimy

Hey, would you look at that, Paramount is up to its old tricks again—not adhering to a robust theatrical bow for their biggest title of the year so far. Since 2020, they have averaged roughly 30 days of theatrical exclusivity, shorter than most of their competitors.

Regardless, Paramount has now announced that “Scream 7,” currently #7 at the box office, will be available on PVOD tomorrow. That’s just a 31-day theatrical rollout for a film that, just a month ago, upended commercial expectations and had a $64M domestic opening.

Someone should ask Paramount boss David Ellison, if the deal closes, what he plans to do with Warner Bros. titles—will he adhere to a strict 45-day theatrical window? Given his own history, it doesn’t look like he will. Netflix claimed they would.

Last year, AMC Entertainment CEO Adam Aron confirmed that discussions with studios were underway to extend the theatrical window to at least 45 days before any titles head to VOD. Three of the major studios — Universal, Warner Bros and Disney — had agreed that they need to reinstate the 45-day window. Sony’s Tom Rothman has stated that he would as well. Paramount is now the lone wolf.

← Kristoffer Borgli’s Uneven ‘The Drama’ With Zendaya and Robert Pattinson Divides Critics10 Years Later: The Best Films of 2016 →

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