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Alma Har’el’s ‘Wet’ Acquired by Lionsgate: Starring Javier Bardem, Rebecca Ferguson, Connor Storrie, Odessa A’zion and Rosalia

It’s been seven years since Alma Har’el’s feature debut, “Honey Boy,” which was written by and starred Shia LaBeouf — she is now set to direct her next film, with a very talented cast.

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Quentin Tarantino Fired Isabelle Huppert From ‘Inglourious Basterds' for Skipping the Table Read

Imagine firing Isabelle Huppert from your movie. One of the great actresses of all time, the woman behind "The Piano Teacher," "La Cérémonie" and "Elle," dropped because she missed a table read.

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Park Chan-wook Says ‘The Brigands of Rattlecreek' is “Very Violent” and the “Most Brutal” Film He's Ever Made

Are we really that surprised? The original draft was written by S. Craig Zahler, the guy behind "Bone Tomahawk," "Brawl in Cell Block 99" and "Dragged Across Concrete."

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Francis Lawrence Calls James Gunn “An Impediment” to ‘Constantine 2,’ Says He's “More Hopeful" Now That They're Gone

James Gunn wrote on Instagram this week that he was "incredibly relieved" to be out at DC Studios. Turns out he's not the only one.

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Jim Caviezel Was “Heartbroken” When Mel Gibson Recast Jesus in ‘The Resurrection of the Christ'

For 20 years, the assumption was that whenever Mel Gibson got his "Passion of the Christ" sequel off the ground, Jim Caviezel would be front and center.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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First Look: Jane Schoenbrun’s ‘Teenage Sex and Death at Camp Miasma’— August 7, 2026 Release

February 13, 2026 Jordan Ruimy

We have our first look (below) at Jane Schoenbrun “Teenage Sex and Death at Camp Miasma.” MUBI has also boarded the film, which is scheduled for August 7, 2026 release.

It’s just four images, but we already have a kid watching television in the dark, which is as Schoenbrun-esque as you can get. The cast includes Hannah Einbinder (“Hacks”) and Gillian Anderson (“The X-Files”) in the lead roles.

Schoenbrun’s latest centers on the revival of the notorious ‘Camp Miasma’ slasher series. This time, however, the story takes a darker turn when the new director develops an intense fixation on the enigmatic actress who originally portrayed the “final girl.” As the obsession deepens, the two women descend into a frenzy of psychosexual mania.

“I make movies I wish existed when I was a kid,” Schoenbrun said in a statement, “and this film is my best attempt at the “sleepover classic”: an insane yet cozy midnight odyssey that beckons to unsuspecting viewers from the horror section at the local video store.”

Schoenbrun had previously told Filmmaker Magazine that the film would “both honor and critique” the “gender deviance” connected with the serial killer genre, exploring how films “created and codified an idea of transness as monstrous.” The filmmaker has additionally described the film as “Portrait of a Lady on Fire” set in a “Friday the 13th sequel.”

“I Saw the TV Glow” grossed $4M at the domestic box office — its budget was said to be around $5M. The film was showered with rave reviews; Hell, even Martin Scorsese heaped praise on it, calling ‘TV Glow’ “emotionally and psychologically powerful.”

After only two films, Schoenbrun’s artistic focus is already unmistakable: exploring how young people navigate identity in a hyper-connected, digital world. Following “We’re All Going to the World’s Fair” and “I Saw the TV Glow,” Schoenbrun will once again delve into the overwhelming influence of media and the hypnotic power of images on the youth.

← The Bride’ Budget Now $100M+ After Massive ReshootsDaniel Kaluuya is Back! Set to Star in ‘Together’ Director’s Next Film →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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