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Sony's Tom Rothman Launches Best Picture Campaign for ‘Brand New Day’: “Are You Telling Me There Are 10 Films This Year That Are Better Than This Film?”

This is all Rothman’s idea, by the way. He’s going to pour millions into this campaign because he believes “Brand New Day” is a great movie.

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Dan Trachtenberg in Talks to Direct Marvel Solo Movie — Wolverine?

Dan Trachtenberg is in talks to write and direct an MCU movie for the Mutant era. Per the report, it's a theatrical feature. It's also a single-character film, not an ensemble piece.

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Jon Hamm and Andrew Koji to Star in Takashi Miike’s Psychological Thriller ‘Bullfrog’

Miike has directed a whopping 114 films and TV productions. Almost nobody has seen all of them, and if you have, you're not just a completist—you're a madman.

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Aaron Pierre to Star in ‘Sisu’ Director’s ‘Fairytale in New York’ at Netflix

Netflix and Lionsgate are teaming up on “Fairytale in New York,” a new action thriller starring Aaron Pierre, with “Sisu” helmer Jalmari Helander directing. Netflix will distribute and Lionsgate will produce.

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Margot Robbie Will Star in Kristoffer Borgli's ‘The Week of Pain' for A24

Borgli and Robbie had been talking about her starring in his next film, and she's now committed to shooting it sometime in 2027, which means it will likely come out in 2028.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Nicolas Cage’s ‘Spider-Noir' Drops Two Trailers, Offering a Bold Black-and-White Cut and a Color Version

February 12, 2026 Jordan Ruimy

Here’s the trailer(s) for “Spider-Noir,” Prime’s live-action Marvel spinoff that has Nicolas Cage front and center as the titular hero.

There are actually two trailers. Viewers will be able to stream “Spider-Noir” in two formats — “Authentic Black & White” and “True-Hue Full Color” — and we now have a look at both of them.

The series draws inspiration from the Marvel comic “Spider-Man Noir” and centers on Ben Reilly, a hardened private investigator navigating 1930s New York. After a devastating personal loss, he’s compelled to face the ghosts of his past. Once celebrated as the city’s sole masked hero, “The Spider,” Reilly has spent years distancing himself from that former life — until a mysterious new case forces him to reconsider the identity and responsibility he thought he had left behind.

Harry Bradbeer (“Fleabag,” “Killing Eve”) is directing, and he’s come up with a rather unconventional approach here — a genre piece rather than the usual Marvel claptrap. I can’t say I’m not intrigued by the way this has been shot and photographed.

The series is run by co-showrunners Oren Uziel (“The Lost City,” “22 Jump Street”) and Steve Lightfoot (“Marvel’s The Punisher,” “Shantaram”), who developed it with the team behind “Spider-Man: Into the Spider-Verse” — Phil Lord and Christopher Miller — alongside Amy Pascal.

Oddly enough, “Spider-Noir” is set to premiere on May 25, 2026, on MGM+ in the U.S., and will consist of eight episodes. Then, two days later, all episodes will be released globally on Prime Video on May 27, which is where most of us will be able to see it since, quite frankly, who the hell has MGM+??

← Olivier Assayas’ ‘Wizard of The Kremlin’ Finally Acquired by Vertical for US Release — Six Months Since Venice PremiereLeonardo DiCaprio Says Scorsese’s ‘Sinatra’ is “Still in the Works”; ‘What Happens at Night’ Starts Shooting in “Two Weeks” →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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