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Robert Eggers Wants a “Break" From Horror, So He's Making ‘Romeo & Juliet'

At a post-trailer Q&A for “Werwulf,” which opens Christmas Day, Eggers explained why his next movie is Shakespeare’s teen tragedy rather than another gloomy medieval tale.

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‘Godzilla Minus Zero’ First Reviews Are Mostly Positive: 78 on MC, 93% on RT

Reviews are out: 78 on Metacritic and 92% on Rotten Tomatoes. It's not as good as the first one, which had a ridiculous 99% on RT and an 81 on MC, but it's a good start nonetheless.

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CONFIRMED: Jon Watts Set to Direct ‘Star Wars: Episode X,’ Written by Simon Kinberg

The timing is interesting. Just days ago, on September 21, journalist Caleb Williams posted on X that a director had been found for the Kinberg trilogy. Turns out, Watts might be the guy.

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Mike Leigh's ‘Tender Loving Care’ Wins Top Prize at San Sebastián

“Tender Loving Care," Mike Leigh’s final film, took the Golden Shell, plus two more prizes: a Silver Shell for Best Leading Performance for Kate O'Flynn and the Best Screenplay award for Leigh himself.

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James Gray Doesn't “Want to Preach” Politics in His Movies, Sets David Lean-Style Epic After 'Paper Tiger'

James Gray is hinting at a return to the kind of sweeping, outward-looking, David Lean-inspired filmmaking he last attempted ten years ago — and it won’t be preaching politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Olivier Assayas’ ‘Wizard of The Kremlin’ Finally Acquired by Vertical for US Release — Six Months Since Venice Premiere

February 12, 2026 Jordan Ruimy

It’s been six months since Olivier Assayas’ “Wizard of the Kremlin” made its debut at the 82nd Venice Film Festival and, after very mixed reviews, struggled to secure U.S. distribution.

Suffice it to say, the film has finally found a home at Vertical Entertainment, which has acquired North American rights to “Wizard of the Kremlin,” a political drama tackling the rise of Vladimir Putin. The cast includes Paul Dano, Alicia Vikander, and Jude Law.

In the film, Law plays Putin with total command—decisive, charismatic, cunning. It’s a performance so concentrated that whenever he’s on screen, the movie ignites. He comes off as the sharpest, most competent figure in the room, a shrewd go-getter in a political swamp. Magnetic is the right word to describe his performance.

Sadly, Putin slips in and out of scenes and, in fact, completely disappears from the third act. Assayas, who co-wrote the script with Emmanuel Carrère, doesn’t really want to make a movie about Putin. He wants to make a movie about Vadim Baranov (Paul Dano), a television producer turned political operator who helps build up Putin for the Russian public. Dano, like Law, also speaks in a British accent, and he underplays everything. He’s effective enough, but he’s no match for Law, who gets only a fraction of the screen time.

They stretch the film to 150 minutes, and the result feels unfinished and episodic. Putin’s rise is a fascinating saga, but all I kept thinking about was how good a TV miniseries it would have been, with fuller, more fleshed-out characters; the format would fix the gaping narrative holes the film has.

Assayas (“Irma Vep,” “Carlos,” “Personal Shopper”) seems trapped between wanting to make a sprawling political chronicle and a character study of a second-tier character. The movie has ambition but rarely takes off. When Law is on screen, you want more of him. When he isn’t, you miss his presence.

Vertical is eyeing a 2026 release for ‘Kremlin.’

← Cannes 2026: Almodóvar Looms, Coen Submits, and Malick’s 3.5-Hour Cut Circles AgainNicolas Cage’s ‘Spider-Noir' Drops Two Trailers, Offering a Bold Black-and-White Cut and a Color Version →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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