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Kevin Spacey's Pandemic Conspiracy Thriller ‘The Awakening' Is Coming in November: “The Film They Don't Want You to See”

Who's "they," exactly? The Illuminati? The Deep State? Hard to say. The film premiered at Italy's Matera Film Festival on November 10. No reviews have trickled in yet.

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Sony's Tom Rothman Launches Best Picture Campaign for ‘Brand New Day’: “Are You Telling Me There Are 10 Films This Year That Are Better Than This Film?”

This is all Rothman’s idea, by the way. He’s going to pour millions into this campaign because he believes “Brand New Day” is a great movie.

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Dan Trachtenberg in Talks to Direct Marvel Solo Movie — Wolverine?

Dan Trachtenberg is in talks to write and direct an MCU movie for the Mutant era. Per the report, it's a theatrical feature. It's also a single-character film, not an ensemble piece.

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Jon Hamm and Andrew Koji to Star in Takashi Miike’s Psychological Thriller ‘Bullfrog’

Miike has directed a whopping 114 films and TV productions. Almost nobody has seen all of them, and if you have, you're not just a completist—you're a madman.

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Aaron Pierre to Star in ‘Sisu’ Director’s ‘Fairytale in New York’ at Netflix

Netflix and Lionsgate are teaming up on “Fairytale in New York,” a new action thriller starring Aaron Pierre, with “Sisu” helmer Jalmari Helander directing. Netflix will distribute and Lionsgate will produce.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The End of Oak Street’ Heads for Weak $20M Opening — #4 This Weekend; Another Warner Bros. Miss

August 15, 2026 Jordan Ruimy

UPDATE: The final numbers could be slightly better for ‘End of Oak Street,’ as trades report that it’ll have a $20M–$21M opening weekend. Still, not great, and I have a feeling Warner Bros. is pumping the numbers slightly to avoid ‘Paw Patrol’ going ahead of them this weekend.

EARLIER: Warner Bros.’ “The End of Oak Street” is not doing well this weekend. The $80M movie grossed an estimated $8M on Friday from 3446 theaters, including previews. It’s now looking at around an $18M opening. That’s not good.

Paramount’s PG-rated “Paw Patrol: The Dino Movie” is actually looking to beat it, with around $20M for the weekend. “The End of Oak Street” will debut at No. 4.

“Spider-Man: Brand New Day” stays at No. 1 with an estimated $70M, a drop of around 55%. It will also cross the $2B mark worldwide tomorrow. Meanwhile, “The Odyssey” is holding much better. Nolan’s film is looking at $23M in its fifth weekend, down just 27%, from 3217 theaters. Its domestic total will hit roughly $504M by Sunday.

The audience reaction to “The End of Oak Street” has been mixed. Critics have been decent to positive, but audiences aren’t nearly as enthusiastic. The movie has a “B” CinemaScore and a mediocre 51% definite recommend on PostTrak.

There was some talk that this could become a mini sleeper hit, especially from critics who have seen it and genuinely liked it, calling it a solid, old-school Spielberg-style original.

The bigger issue may be Warner Bros. itself. The marketing campaign never really seemed to figure out who this movie was for. The release date wasn’t exactly ideal either. And with all the uncertainty surrounding Warner Bros. and its delayed merger, the studio hasn’t exactly been firing on all cylinders when it comes to marketing.

It’s another frustrating one for Warner Bros. Coming off “The Bride,” “They Will Kill You,” “Evil Dead Burn” and “Supergirl,” the studio now has another movie that looks to have been buried by weak marketing and a bad release window.

Warner Bros. has “Practical Magic 2” and “Digger” coming up next. Let’s see if either can turn things around.

← ‘Pleasantville’ 4K Release Censors Reese Witherspoon’s “Slut” LineHayao Miyazaki Is Still Working at Studio Ghibli. Nobody Knows What He’s Making →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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