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Noah Baumbach's ‘Jay Kelly' Joins the Criterion Collection; February Slate Includes ‘The Sweet Hereafter,’ and ‘Kung Fu Hustle’

Noah Baumbach's “Jay Kelly” is joining the Criterion Collection on February 16, 2027. It's one of the headliners of the newly announced February slate, and it's coming out barely a year after Netflix released it.

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Box Office: Johnny Depp's ‘Ebenezer' Leads ($21M+), Audiences Love It More Than Critics Do; ‘How to Rob a Bank' Bombs ($4M+), ‘Godzilla Minus Zero’ Drops 75%

The film opened in Europe on Wednesday, and the audience scores there have been very strong. Now American audiences agree: an "A-" on CinemaScore and a 90% audience score on Rotten Tomatoes.

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Kevin Spacey's Pandemic Conspiracy Thriller ‘The Awakening' Is Coming in November: “The Film They Don't Want You to See”

Who's "they," exactly? The Illuminati? The Deep State? Hard to say. The film premiered at Italy's Matera Film Festival on November 10. No reviews have trickled in yet.

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Sony's Tom Rothman Launches Best Picture Campaign for ‘Brand New Day’: “Are You Telling Me There Are 10 Films This Year That Are Better Than This Film?”

This is all Rothman’s idea, by the way. He’s going to pour millions into this campaign because he believes “Brand New Day” is a great movie.

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Dan Trachtenberg in Talks to Direct Marvel Solo Movie — Wolverine?

Dan Trachtenberg is in talks to write and direct an MCU movie for the Mutant era. Per the report, it's a theatrical feature. It's also a single-character film, not an ensemble piece.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jon Hamm and Andrew Koji to Star in Takashi Miike’s Psychological Thriller ‘Bullfrog’

November 13, 2026 Jordan Ruimy

Japanese cult filmmaker Takashi Miike—the man behind cinematic fever dreams like “Audition”—is teaming up with… Jon Hamm?

Variety reports that Hamm and Andrew Koji will star in “Bullfrog,” a psychological thriller set in Tokyo. It's another step in Miike's English-language push. Hollywood has courted him for years, and with more than 100 films behind him, he might as well take his shot now.

“Bullfrog” isn't the kind of movie Hamm usually makes, but I welcome the change. He's still best known for his Emmy- and Golden Globe-winning turn as Don Draper in “Mad Men.” His more recent work includes “Mean Girls” and “American Hostage,” and he stars in the thriller “Cupid” next. I can’t say Hamm’s post-‘Mad Men’ movie career has been anything to write home about. His best work was in “Fletch,” “Richard Jewell,” “Baby Driver” and “The Town.” Only one of those (‘Fletch’) was a lead role.

“Bullfrog” comes right after “Bad Lieutenant: Tokyo.” That film was rejected by Cannes and then Venice before it finally had its world premiere at TIFF in September, to underwhelming reviews. It starred Shun Oguri, Lily James, and WWE's Liv Morgan, and it was the third film in a franchise that began with Abel Ferrara's 1992 original and continued with Werner Herzog's 2009 “Port of Call New Orleans.”

Miike has directed a whopping 114 films and TV productions. Almost nobody has seen all of them, and if you have, you're not just a completist—you're a madman. The essential Miike works came out years ago: “Audition,” “Ichi the Killer,” “13 Assassins,” and “Visitor Q.”

With “Bullfrog,” Miike is back in familiar genre territory. The film is set in a near-future Tokyo under lockdown. Koji plays a detective and Hamm a former FBI profiler, and together they try to track down a mysterious serial killer. Eric Jordan Baker wrote the script, and Nathan Ross and David Styen are the lead producers.

Of course, Miike has already directed another film, a Kyoto-set horror movie starring Charli XCX, Milly Alcock (“Supergirl”), and Norman Reedus (“The Walking Dead”). In it, three lifelong friends reunite in Kyoto, and their vacation turns to terror when Charli XCX's character is overtaken by a brutal, tormented spirit.

Miike doesn't plan to shoot “Bullfrog” until summer 2027, so stay tuned.

← Dan Trachtenberg in Talks to Direct Marvel Solo Movie — Wolverine?Aaron Pierre to Star in ‘Sisu’ Director’s ‘Fairytale in New York’ at Netflix →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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