Attention ’90s indie cinephiles: Gregg Araki’s “I Want Your Sex” has a trailer. Olivia Wilde in latex. Cooper Hoffman as her sexual submissive. Araki’s brightly paletted visuals. How can you not be won over by this?

This is yet another “One Battle After Another” situation for Warner Bros.—a film that will need strong reviews and Oscar attention to be called a success.

Martin Scorsese, widely adored by cinephiles, has recently found himself at the center of controversy over his engagement with artificial intelligence in filmmaking.

Spielberg has revealed that the death of Stanley Kubrick in 1999, and the Kubrick family’s efforts to persuade him to direct “A.I. Artificial Intelligence,” prompted his sudden departure from “Harry Potter.”

Strong’s transformation — especially the bleached ginger hair — will have people debating just how well suited he is for the role. Is it a stroke of genius, or is Eisenberg‘s absence being felt here?

The film is being described as a “superhero tentpole with global warming as the villain.” It had previously been reported that the ‘80s-set film would also involve time travel.

After much delay, Anton Corbijn’s “Switzerland,” his first narrative film in eleven years, has been acquired by Bleecker Street and will be released this fall.

“Masters of the Universe” lead Nicholas Galitzine will star as male supermodel Hoyt Richards in an untitled biopic directed by Van Sant, which is set to shoot next year.

It has been confirmed that Naomi Ackie has joined David Robert Mitchell’s “They Follow,” which reunites the filmmaker with Maika Monroe on a sequel to their 2014 horror film “It Follows.”

At this rate, “Obsession” will remain in the box office top five until July—or, who knows, even August—refusing to go down. It’s a word-of-mouth beast. I’m starting to believe in a $500M worldwide.

The trailer for “Whalefall” is better than we had any right to expect; it’s intense and anxiety-inducing. I guess I should have known better — the film’s premise demands tension.

The first 90 minutes… I was actually into it. It feels like Spielberg doing what he does best — that old-school mystery, that sense of wonder, that “I want to see where this goes” feeling.

Lapid had been invited to serve on the Marseille Film festival jury in July but stepped down after pro-Palestinian filmmakers reportedly threatened to pull their films from the program if he participated.

“Marty wanted it to be more voice-over-y, more ‘Goodfellas,’” said an insider. “Those were the marching orders Nick was given, and he spent the last four months implementing the notes.

So, Jason Momoa has reportedly exited the upcoming “Helldivers” movie over at Sony Pictures⁠, with Justin Lin, the man behind six ‘Fast and Furious’ movies, attached to direct.

If New Hollywood defined the 1970s, independent cinema defined the 1990s, and neo-horror defined the 2010s, an emerging generation of horror films has helped shape a new movement for the 21st century.

A few months before “Scapegoat” was announced, Aster mentioned that he had three potential projects in development: a sci-fi film, an “Eddington” spiritual sequel, and a horror movie.

Speaking of Ridley Scott, here’s some news on his latest film, “The Dog Stars,” which I’m officially stamping with a red flag.

Scott is set to direct “Treasure Island,” based on Robert Louis Stevenson’s classic novel, with Hugh Jackman attached to star as pirate Long John Silver. The screenplay is by Jack Thorne (“Adolescence”).