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Gregg Araki Starts Shooting ‘The Decline of F*cking Western Civilization’ with Ashton Kutcher and Alison Brie

Araki wrote the screenplay, and will direct “The Decline of F*cking Western Civilization,” a dark comedy starring Ashton Kutcher, Alison Brie, and Jesse Williams. The film started shooting today in Los Angeles.

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‘La Bola Negra’ Storms TIFF as Netflix Eyes Its First Best Picture Oscar

Last night, Los Javis' "La Bola Negra" held a triumphant screening at TIFF's Princess of Wales Theatre, and the standing ovation reportedly lasted through the entire credits.

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‘Resident Evil’ Reviews Are Positive — 80 Metacritic, 98% Rotten Tomatoes

I’m now predicting a $50M domestic opening weekend for this movie, which will only further cement Cregger’s drawing power after “Barbarian” and “Weapons.”

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‘Spider-Man: Brand New Day’ is Officially Highest-Grossing Movie of All-Time at Domestic Box Office

Now the question is whether Spidey can become the first movie to cross $1 billion domestically. With its legs having slowed down, and $63M in receipts still needed, I highly doubt it.

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Paul Schrader's ‘Non Compos Mentis’ Recasts: Sam Worthington, Liam Hemsworth and Cara Delevingne To Star in “Erotic Thriller”

After filming wraps on "Non Compos Mentis," which shoots next month, Schrader plans to start production on his "drug movie," "The Doors of Perception," in January.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Alejandro G. Iñárritu’s ‘Digger,’ Starring Tom Cruise, Nears $200M Budget?

June 10, 2026 Jordan Ruimy

“Digger,” an black dark comedy directed by Alejandro González Iñárritu and starring Tom Cruise, is set to hit theaters in October 2026—and, unsurprisingly, the budget is on the high side for an auteur-driven project.

A Warner Bros. rep had already told Puck’s Matt Belloni that “Digger” cost $125M to produce, but Belloni was “suspicious,” saying he’s heard the final price tag was much higher. Now, Page Six Hollywood’s Ian Mohr also has a Warner rep giving him the $125M figure, but a studio insider tells him the film is actually “pushing $200 million,” calling the situation “insane.”

This is yet another “One Battle After Another” situation for Warner Bros.—a film that will need strong reviews and Oscar attention to fully justify its existence. Know what? Taking out the business aspect and viewing it on a purely artistic level, it’s great to see a major studio continuing to take risks on highly budgeted auteur works.

It’s not just “Digger.” Warner Bros. has had a 2026 that’s been defined by director-driven risks, including Maggie Gyllenhaal’s $100M “The Bride,” Emerald Fennell’s $90M “Wuthering Heights,” and David Robert Mitchell’s $80M “Flowervale Street.” Which other studio is doing this?

Of all these projects, the biggest gamble may be the Iñárritu/Cruise collaboration. The film has been described as “a new kind of film,” with Iñárritu saying Cruise “will surprise the world” with his prosthetic-heavy performance—sparking speculation that it could represent the actor’s best shot yet at winning his first competitive Oscar.

There hasn’t been much promotional material for “Digger,” which is releasing a little over four months from now, but if you caught the theatrical re-releases of “Top Gun” and “Top Gun: Maverick,” a teaser for the upcoming film was shown in cinemas—one that still hasn’t officially surfaced online. It did briefly leak last month, though it was quickly taken down by Warner Bros. after circulating for a few hours.

Iñárritu’s previous film, the Netflix-produced “Bardo,” struggled with critics and earned just one Oscar nomination for cinematography. Before that, however, he directed “The Revenant,” which won Oscars for both directing and acting (Leonardo DiCaprio) and grossed $532M worldwide.

“Digger” opens in theaters on October 2, 2026, via Warner Bros. Pictures, and is not expected to premiere at any of the fall festivals.

← Gregg Araki Returns With ‘I Want Your Sex’ Trailer Starring Olivia Wilde and Cooper HoffmanMartin Scorsese Slammed by Art Directors Guild for “Turning His Back on Human Artists” After AI Embrace →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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