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AMC Films to Distribute Indie Movies and Bring More Small Films to Theaters

AMC Entertainment is entering film distribution with Leawood Films, a new company aimed at bringing independent and emerging filmmakers’ movies to theaters.

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Adam Wingard’s ‘Onslaught’ Gets Mixed Reviews — 52 on Metacritic

Well, the review embargo has lifted on Adam Wingard’s “Onslaught,” which hits theaters Friday, and the reviews are mixed among top critics, with slightly kinder reactions from the lower-tier crop.

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Gal Gadot Says James Gunn Told Her ‘Wonder Woman 3’ Was Happening, She Felt Misled: “Not Handled Elegantly”

Given everything we’ve heard about the transition from the Snyderverse to James Gunn and Peter Safran’s new DC Universe, it was hardly a secret that the changing of the guard didn’t exactly go smoothly.

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Paul Thomas Anderson’s ‘Cameron Winter at Carnegie Hall’ Sets NYFF World Premiere

Paul Thomas Anderson’s concert doc will world-premiere at the New York Film Festival. The film will debut on October 1 at Alice Tully Hall on 35mm, with PTA and Cameron Winter in attendance.

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‘The Last Photograph’ Trailer Looks Like Zack Snyder Made a Very Expensive Perfume Commercial

Here’s the trailer for the film, which comes with warnings of violence and nudity. It plays in such a self-aggrandizing fashion, with “poetic” narration and cinematography that looks like a Chanel ad.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Martin Scorsese Is Embracing AI (For Storyboarding)

June 2, 2026 Jordan Ruimy

A NY Times piece is about to send film Twitter into meltdown, and it’s only because of how its headline is phrased: “Martin Scorsese Is Embracing AI.”

Woah, say it ain’t so — has Martin Scorsese gone full Paul Schrader? Will he also wind up having an AI girlfriend like his “Taxi Driver” screenwriter recently admitted?

Not necessarily. Scorsese isn’t embracing the use of AI in his movies — at least not yet — but rather publicly backing a generative AI company that will make storyboarding easier for him. He’s aligned himself with Black Forest Labs, a fast-growing image-generation startup, revealing that he has already used its tools during the preproduction of his next film, “What Happens at Night.”

In a statement and video filmed in his New York office, Scorsese argued that filmmaking should remain open to technological change as a relatively young art form.

I’m interested in the intersection of technology and storytelling, and seeing how that can push the bounds of creativity to create deeper and richer experiences for audiences. Remember, cinema is a young medium, only around 125 years old, so we have to be open to how it can evolve.

The way Scorsese talks about it is pretty familiar if you’ve followed his interviews over the years. He’s interested in storytelling tools, and more specifically in how you get what’s in your head across to other people. That said, I would not be shocked at all if the time comes for Scorsese to fully embrace AI use in actual filmmaking. I bet he’s wondering just how much cheaper the de-aging process in “The Irishman” would have cost had he used the technology.

Now, don’t get me wrong: a vocal majority of the industry is firmly against AI. But there have also been some notable filmmakers—mostly older veterans—who have actually come out in support of its use in cinema: Darren Aronofsky, Roger Deakins, Brady Corbet, Michael Mann, James Cameron, Paul Schrader, Werner Herzog, George Miller, Doug Liman, Alex Proyas, and Roger Avary.

It should also be mentioned that Liman shot his next film entirely on AI-generated stages. As for Mann, he’s teased using AI for de-aging purposes on his upcoming “Heat 2,” which might be the same technology George Miller used on “Furiosa.”

← Can ‘Michael’ Still Reach $1 Billion? Digital Release Set for June 9‘Masters of the Universe’ Lands Soft Reviews and $25M-$30M Box Office Tracking, Raising Questions About $200M He-Man Movie →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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