Last week, Ethan Hawke hyped the hell out of his next movie with Richard Linklater, calling it “among the greatest films ever made.” He now regrets saying that.

Much more than its predecessor, “Bone Temple” is the kind of sequel that seems to almost dare audiences to walk out. My kind of movie.

Just to compare, “28 Years Later” opened last June to $30M domestically and ended up with $151.3M worldwide.

Is there any other movie year this century that even came remotely close? I present to you the next best option: 2007.

Damien Chazelle’s untitled prison movie is indeed moving forward. Last time, I reported a March 2026 shoot was in the works. 

Cameron previously told a podcast that “we have to make a lot of money in order to continue,” though he did not specify an exact figure.

After Captain America, Thor, and X-Men, this latest teaser focuses on Black Panther and the Fantastic Four. Letitia Wright’s Shuri does the voiceover of the clip, which unfolds in a desert.

When I saw on my YouTube feed that a video had been uploaded of Jafar Panahi entering the Criterion Closet, I predicted he would pick this title off the shelf. It represents everything.

Over 600 lists were submitted for our annual readers’ poll, and it’s great to see readers going against the grain with some of their picks.

Many speculated that Cruise’s character might be inspired by Elon Musk, and judging by Plemons’ comments, I’m starting to believe the film will be a political satire.

We have our first trailer for “The Mummy,” and Cronin, who earned positive reviews for “Evil Dead Rise,” is looking to bring fresh life to this endlessly recounted and now mummified tale.

Boots Riley has confirmed that he has a new film in the works, and it’s an adaptation of Anne Washburn’s, “Mr. Burns: A Post‑Electric Play,” which premiered off‑Broadway.

Ah yes, Clooney vs. Tarantino. It’s a subtle feud that’s been simmering for a few years, sparked by a QT remark that seemed to bruise the actor’s ego.

So, what’s going on here exactly? A simple retweet is being talked about more this morning than the Golden Globes.

Will “One Battle After Another” sweep yet another awards show tonight? It’s the predictable frontrunner, and I just can’t see it not winning — but surprises happen.

Can we just admit, and that’s despite all of the goofball comedies he stars in, how utterly effective a dramatic actor Sandler can be?

Read today, this exchange is almost painful in its accuracy. What Siskel and Ebert did not fully anticipate was the scale of the takeover in the social media age.

Here we go again. “I certainly won’t rule out a strike,” SAG-AFTRA’s Duncan Crabtree-Ireland tells Puck when asked about the upcoming negotiations.

Given that Christopher Nolan’s adaptation of Homer’s “The Odyssey” was driven by tons of practical effects, including animatronics, it appears to be moving very fast into completion.