Sony Pictures Classics recently picked up Pedro Almodóvar’s latest film, “Bitter Christmas,” which was shot in the spring. A release date was set up in Spain for March 20, 2026.

Yes, that seems to be the official title of the film—or at least that’s what it’s going by in internal trailer sheets from numerous exhibitors.

Back in 2022, Cameron mentioned that he was in “discussions” to direct the next Terminator movie, and that it would be “more about the AI side of it.”

Oscar nominations are just a month away, and the Best Picture race is shaping up as a two-way showdown.

This Friday brings a handful of releases attempting to counterprogram against “Avatar,” but the one I’d actually recommend most is Paul Feig’s “The Housemaid,” a highly entertaining piece of trash in the best possible sense.

James Ponsoldt, once an acclaimed indie filmmaker, is attempting an artistic comeback with Apple TV’s “Sponsor,” which already has Jason Segel and John C. Reilly on board.

I’d never even heard of Nirvanna The Band The Show before catching this film at TIFF in September. Turns out the movie version is not only hilarious, but it’s endlessly inventive.

ABC has held the Oscars for nearly 50 years and is officially relinquishing the rights when its current contract expires in 2028.

The sequel stands to earn $380M globally by Sunday evening. Not bad. Let’s remember, ‘The Way of Water’ nabbed a $445M global opening weekend. Is Avatar fatigue upon us?

Over the past 48 hours, I’ve been watching Marvel fanboys completely lose their minds over a leaked teaser for “Avengers: Doomsday.”

After this summer’s “M3GAN 2.0,” the franchise is basically dead. The first film made over $180M worldwide, but the sequel could only muster $39M.

The Oscars shortlists in 12 categories have been announced, including documentary feature, international feature, cinematography, original score, original song, sound, and visual effects. “One Battle After Another” and “Sinners” performed as expected.

Some of the film’s most outspoken supporters include Francis Ford Coppola, Jon Favreau, Jason Reitman, Bradley Cooper, Emerald Fennell, Martin Scorsese, and Alfonso Cuarón.

Here’s EW with fresh new images from Christopher Nolan’s The Odyssey, featuring Matt Damon, Anne Hathaway, Tom Holland, Robert Pattinson, and Himesh Patel.

Set against the backdrop of contemporary London, “Heist of Benin” is described as a “thriller that intertwines art, love and restitution.”

The film finally has a release date, and it’s worrisome. Not only is it being dumped in February, but it’s skipping theaters and going straight to HULU.

Here’s our first look at “Disclosure Day,” Spielberg’s return not only to sci-fi but, more importantly, to the UFO genre that propelled him to the A-list with “Close Encounters of the Third Kind” and “E.T.”

Here’s our first look (via EW) at Hugh Jackman, Jodie Comer and Bill Skarsgård in Michael Sarnoski’s “The Death of Robin Hood,” which is coming to us from A24.

The review embargo has finally lifted on James Cameron’s Avatar: Fire and Ash, and yes—I think I’m now allowed to admit that I was dozing in and out while watching it.