Brody was set to star in S. Craig Zahler’s “The Bookie and the Bruiser” in April 2025 but abruptly pulled out after his Oscar win.

Matthew Lillard, while promoting “Five Nights at Freddy’s 2” over the weekend, has chimed in, and it turns out Tarantino’s comments have given him the dreads.

James Cameron has been telling multiple outlets that “Avatar: Fire and Ash” has to make a lot of money for the franchise to continue. Now we know why.

This news comes a few days after James Gunn took to social media to deny a Forbes report that the “Supergirl” budget sits at around $200M.

“The Magician’s Nephew” will screen in IMAX theatres with a 28-day IMAX-only release window in November 2026.

While we await the inevitable Trump DOJ investigation of Netflix, Paramount/Skydance has apparently not given up.

What are Chalamet and Mangold cooking up here? Why is Paramount banking that much money on a non-IP motocross-driven movie? Hey, I’m not complaining — we need more projects like these greenlit.

ABC has held the Oscars for nearly 50 years and may relinquish the rights when its current contract expires in 2028.

The writer of “Dude, Where’s My Car?” has such self-loathing about its legacy that he’s decided to write a THR op-ed about how he regrets the film.

This week’s barrage of awards announcements has been a bit much: Indie Spirits, Gothams, NYFCC, NBR, AFI, and now the Critics Choice Awards nominations.

After the lukewarm National Board of Review and AFI picks for the top films of 2025, here comes BFI’s Sight and Sound to the rescue. They give us a strong batch of titles.

Hey, look at that — Netflix is already backtracking on its prior commitment to give Warner Bros. titles decent theatrical rollouts.

Netflix has now entered exclusive negotiations with Warner Bros. Discovery over a potential purchase of the company’s film and television studio assets

Imagine being Paul Dano, one of the most reserved actors around, and suddenly, and most randomly, being called out by Quentin Tarantino for being the “limpest dick” in town.

Flynn, who wrote Steve McQueen’s “Widows,” not to mention adapted her own “Gone Girl” for David Fincher, has had several of her novels brought for the screen.

No franchise is dead in Hollywood. There’s no such thing. You can always reboot, reimagine, sequelize, or wait it out a few years before an IP makes a comeback.

The American Film Institute (AFI) has unveiled its list of the 10 best films of the year, and surprisingly, this is more or less a blueprint for the Oscar-contending American films.

This film has had quite a turbulent history. Rewrites definitely occurred, and they were major enough to have significantly altered the originally announced plot.

Sean Baker recently went location scouting for his next film. No cast has been announced about the project, but the filmmaker mentioned that the story would once again focus on a sex worker.

At the Marrakech Film Festival, Dominik sat down for an expansive conversation that covered his Marilyn Monroe biopic “Blonde,” his collaboration with Brad Pitt, and his next film.