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Werner Herzog's ‘Grizzly Man' Joins the Criterion Collection — Plus ‘The English Patient,’ ‘Nashville' and ‘Shop Around the Corner’

Criterion's December lineup has some great additions to the library, but the title that jumped out at me is Werner Herzog's "Grizzly Man," which officially joins the Collection on December 8.

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Robert De Niro to Play Tommy Lasorda in Reid Carolin's ‘Tommy & Me'

De Niro is in talks to play legendary Los Angeles Dodgers manager Tommy Lasorda in “Tommy & Me,” a sports drama Reid Carolin will direct for Skydance Sports.

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Quentin Tarantino to Publish ‘The Adventures of Cliff Booth' Novel, Out December 8

The book is titled "The Adventures of Cliff Booth," which, if you've been following along, was the original title of Fincher's film before it was renamed "The Further Mis-Adventures of Cliff Booth."

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Zack Snyder Says the ‘Last Photograph' Negative Reviews Were “100%” About Him and Not the Movie

Zack Snyder woke up in Toronto the morning after his premiere and did the one thing no filmmaker should ever do the morning after: he opened X.

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‘The Life and Deaths of Wilson Shedd': Amanda Seyfried and Scoot McNairy Power Tim Blake Nelson's Best Film Since ‘The Grey Zone' [TIFF]

Tim Blake Nelson has been making films for thirty years and hasn't directed a narrative feature in more than ten. "The Life and Deaths of Wilson Shedd," is the best thing he's done since "The Grey Zone.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Avatar: Fire and Ash’ Budget is $400M+

December 6, 2025 Jordan Ruimy

James Cameron has been telling multiple outlets that “Avatar: Fire and Ash” has to make a lot of money for the franchise to continue.

Hidden at the end of Variety’s reporting, Cameron’s comments now make more sense — the trade has the film costing at least $400M to produce. That’s around the same as “The Way of Water,” whose original price tag of $250M skyrocketed to $460M due to having been shot during the pandemic.

Of course, that $400M budget on “Fire and Ash” does not include the marketing costs that come with promoting Cameron’s 194-minute sequel. If we factor in the x2.5 break-even rule, the film would likely need to earn over $1 billion just to turn a profit. I’d bet it’s a lot more than that, given the full-throttle marketing push the sequel has been getting from Disney.

This is also with Cameron seemingly earning final cut on the film. I presume that’s what he got, especially with the stories currently out there about Cameron’s total creative control on these movies. Take, for example, when he was pressed by a Fox executive who begged him to make “The Way of Water’s” 192-minute runtime shorter — Cameron admitted to yelling at him, “Get the fuck out of my office!”

Does that sound like a man chained by a studio?

Cameron has more or less admitted that for “Avatar 4” to happen, “Fire and Ash” needs to perform very well at the box office; otherwise, he might just turn the fourth chapter into a novel.

Do we make any money with “Avatar 3”? I mean, we’ll make some money. But the question is, what kind of a profit margin, if any, is there, and how much of an inducement is that to continue on in this universe? Or maybe we wait a while until we figure out how to bring costs down.

In another interview with the CrewCall podcast, Cameron pointed to how costly it is to make these films.

We spend a lot of money on these movies, and that’s kind of the banquet that we put before a global audience for the same ticket price as seeing some little indie. But the quid pro quo with that is we have to make a lot of money in order to continue.

“Avatar: The Way of Water” was the third highest-grossing movie of all time, earning $2.3 billion back in 2022/2023. There’s no guarantee “Fire and Ash” will gross this type of money, but expectations are that if anybody can prove doubters wrong, it’s James Cameron — the man behind three of the four highest-grossing films of all time.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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