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Joel Coen’s ‘Jack of Spades’ Is a Gothic Mystery Based on a 1901 Novel, With Patsy Ferran ”Dynamite” in the Lead

I can confirm that Joel Coen’s “Jack of Spades” is based on Frances Frederica Montrésor’s 1901 novel “The Alien: A Story of Middle Age.” It’s a ghost story. A gothic mystery.

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Kendrick Lamar and ‘South Park’ Creators’ ‘Whitney Springs’ Budget Balloons to $150M, Still Isn’t Finished — Slave Reparations Musical

Stone and Parker’s “Whitney Springs” still isn’t finished. The budget has skyrocketed to over $100M. Stone and Parker have taken full responsibility for the delay.

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Michael Mann Has “Secretly Recut” ‘Miami Vice’ for a New “Director’s Final Cut” to Premiere in October

I’m not sure how this is going to turn out, but Michael Mann “secretly recut” his ‘Miami Vice’ movie, which has now led to the 4k restoration, a “Director’s Fina Cut,” to world premiere on October 3.

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Paul Feig to Direct ‘The Italian Job’ Sequel for Paramount

Wait, what? According to Deadline, Paul Feig is going to direct an “Italian Job” sequel for Paramount. No word yet on cast returns. A writer is supposed to be hired soon for the script.

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‘Digger’ Final Trailer Teases Iñárritu’s Apocalyptic Satire With Tom Cruise

We’re just 24 days away from its release, yet there doesn’t seem to be much excitement building around this film. The marketing has not worked.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Lynne Ramsay Might Re-Edit ‘Die My Love’ With New Ending, Admits Film Was “Rushed” For Cannes

March 6, 2026 Jordan Ruimy

Lynne Ramsay admits she’s not sure if the ending of her most recent film, “Die My Love,” was the right one, and might change it many months after its theatrical release last November.

Speaking to an audience at the Glasgow Film Festival on Friday (via Deadline), the Scottish filmmaker stated that her Jennifer Lawrence and Robert Pattinson-starring film was “rushed” for Cannes, and that she might re-edit the film with a new ending—one which she actually shot during production.

Ramsay’s adaptation of Ariana Harwicz’s novel kept the book’s ending, which has — SPOILERS — Lawrence’s character, Grace, setting fire to a nearby wood. Ramsay confirmed at Glasgow that she filmed two different endings and had a version in which Grace saves Jackson (Pattinson) from the forest.

Maybe one of these days I’ll get to that ending and I’ll change it and she will save him from the burning forest.

“Die My Love” premiered at Cannes last year to somewhat positive reviews, and MUBI ended up acquiring the film in a massive $24M deal. Ramsay admits that she wanted to change the ending before its release, but the MUBI sale prevented her from doing so.

“Cannes wanted it, but it wasn’t ready,” Ramsay says. “But then when it was bought in Cannes there was all this pressure. It was bought for $24M and I was like, ‘Shit, I can’t change this… I’ve never been in that position before.’”

She added: “If you buy something for that amount of money, you kind of want it to be what you bought, right?”

This situation is total déjà vu for Ramsay, as her previous film, “You Were Never Really Here,” was also a late submission at Cannes 2017. It even ended up screening without any end credits at Cannes, but still managed to garner great reviews at the fest. The version I saw many months after that Cannes premiere was noticeably different, with the shape and tone of the film having been altered.

At Cannes, some believed Lawrence’s performance deserved an awards season push, which led MUBI to acquire the film for a whopping $24M. They ended up losing millions on “Die My Love,” which grossed only $12M worldwide and was completely shut out of Oscar nominations.

← ‘Smile 3’ in the Works, But Parker Finn Will Not Return to Direct‘The Hunt for Gollum’ Reportedly Eyed as the Start of a New ‘Lord of the Rings’ Trilogy →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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