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‘Resident Evil’ Reviews Are Positive — 80 Metacritic, 98% Rotten Tomatoes

I’m now predicting a $50M domestic opening weekend for this movie, which will only further cement Cregger’s drawing power after “Barbarian” and “Weapons.”

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‘Spider-Man: Brand New Day’ is Officially Highest-Grossing Movie of All-Time at Domestic Box Office

Now the question is whether Spidey can become the first movie to cross $1 billion domestically. With its legs having slowed down, and $63M in receipts still needed, I highly doubt it.

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Paul Schrader's ‘Non Compos Mentis’ Recasts: Sam Worthington, Liam Hemsworth and Cara Delevingne To Star in “Erotic Thriller”

After filming wraps on "Non Compos Mentis," which shoots next month, Schrader plans to start production on his "drug movie," "The Doors of Perception," in January.

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MPA: ‘Clayface’ and ‘The Social Reckoning’ Ready With “R” Ratings

Aaron Sorkin's "The Social Reckoning" has officially been stamped with an "R" rating for language, which is another idiotic move from the MPA. Why must "language" get an "R"?

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‘Digger’ Box Office Tracking Points to a Soft $20M Debut for Tom Cruise and Iñárritu

I actually find that number optimistic. Tickets for “Digger” go on sale next Tuesday, and presales will give us a better picture of how bad it’s looking.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Netflix Walks Back Promise, Says Warner Bros. Theatrical Windows Will “Evolve” to Be Shorter and More “Consumer Friendly”

December 5, 2025 Jordan Ruimy

Hey, look at that — Netflix is already backtracking on its prior commitment to give Warner Bros. titles decent theatrical rollouts.

This morning, Netflix Co-CEO Ted Sarandos kicked off his conference call with investors by saying that Netflix has no “opposition to movies in theaters,” as the streamer said it “expects” to release Warner Bros. films theatrically if it completes its $82.7 billion deal for the studio and HBO Max.

What’s funny about it all is that Sarandos used as an example Netflix having released 30 films in cinemas in 2025, though he failed to mention that most of those films had very short theatrical windows.

“It’s not like we have this opposition to movies into theaters,” Sarandos said. “My pushback has been mostly in the fact of the long exclusive windows, which we don’t really think are that consumer-friendly, but when we talk about keeping HBO operating, largely as it is, that also includes their output movie deal with Warner Bros., which includes a life cycle that starts in the movie theater, which we’re going to continue to support.”

Of course, Sarandos is somehow backtracking now, suggesting that these theatrical windows will, in his words, “evolve” to be much shorter. He’s just using the term “more consumer friendly” to make his point.

“I wouldn’t look at this as a change in approach for Netflix movies or for Warner movies,” he said. “I think, over time, the windows will evolve to be much more consumer friendly, to be able to meet the audience where they are quicker … I’d say right now, you should count on everything that is planned on going to the theater through Warner Bros. will continue to go to the theaters through Warner Bros., and Netflix movies will take the same strides they have, which is, some of them do have a short run in the theater beforehand. But our primary goal is to bring first-run movies to our members, because that’s what they’re looking for.”

During its bid against Paramount and Comcast for Warner Bros. Discovery, Netflix assured company executives it would uphold existing agreements requiring theatrical movie releases if the deal went through. No surprise, looks like he lied.

So, as Puck’s Scott Mendelson states, the payoff for Warner Bros.—a studio coming off an almost unprecedented strong year both commercially and artistically in theaters—is getting swallowed by Netflix, the one company with the most desire to erase theaters altogether? At this point, it almost feels like things would be better if “Conjuring: The Last Rites,” “Minecraft,” “Sinners,” and “Weapons” had all flopped.

If you have a real feeling of dread about this, your suspicions are correct — you’re not wrong. This feels like the end to everything. Theatrical is truly f*cked unless the DOJ puts a full stop to this deal.

It’s a bleak and devastating day for the theatrical movie experience and for cinema as an art form.

← Sight and Sound’s Top 50 of 2025 Critics Poll Led by ‘One Battle,’ ‘Sinners,’ ‘The Mastermind’ and ‘Sirât’BREAKING: Netflix Is Buying Warner Bros. and HBO Max →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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