Kidman has joined “The Young People,” with the previously announced Lola Tung, Nico Parker, Heather Graham, Johnny Knoxville, and Tatiana Maslany.

After much delay, it looks like Andrew Niccol’s “Lord of War” sequel will finally start production this month. Nicolas Cage is set to return.

From the very late ‘80s to the end of the aughts, you couldn’t escape Morgan Freeman’s presence on the silver screen. He was in Oscar contender after Oscar contender, the go-to character actor.

Sigourney Weaver gave a Q&A Masterclass at the Cinémathèque Française in Paris, and that’s where she admitted that Blomkamp’s “Alien 5” was canned because of a “possessive” Ridley Scott.

Ruffalo has been cast in “Santo Subito!” which will draw inspiration from the legacy of Pope John Paul II, particularly the passionate cries of “Santo Subito!” that echoed after his death in 2005

Here’s Empire City Box Office sounding the alarm on weak pre-sales for Edgar Wright’s “The Running Man.” They’re hinting at a $17–18M opening for the film — not good.

“Werwulf,” currently slated for a Christmas 2026 release, features a screenplay by Eggers and Sjón, with whom he co-wrote “The Northman.”

If you’re wondering what’s going on with S. Craig Zahler, well, he’s supposed to shoot his long-delayed “The Bookie and the Bruiser” sometime next year — hopefully, it actually happens.

The Mexican filmmaker made a pitstop over at Konbini Video, which is basically France’s version of the Criterion Closet, but better. The video, uploaded yesterday, is an absolute gem.

I haven’t properly tackled “Train Dreams” yet, but let me start by saying this: it’s well worth seeing. Try to watch it on the big screen, if you can find it.

After losing $100M+ on his passion project, “Megalopolis,” Francis Ford Coppola, 85, is currently undergoing a fire sale of his own private assets.

From “Metropolis” to “The Thing,” “Psycho” to “Blade Runner,” these movies remind us that critical opinion is never set in stone —and that true artistry often requires time to be fully appreciated.

Early audience reactions are glowing: the film earned a 5-star rating and a 78% definite recommend on PostTrak, while now projected for a franchise-record opening of $37M and an A- CinemaScore.

Here’s a first look at “Next Life,” the next film from Drake Doremus—whose name will always be tied to the burst of indie-romantic energy he unleashed with his 2011 breakout, “Like Crazy.”

Guillermo del Toro’s “Frankenstein” is now available to stream on Netflix, and with that, I want to read your thoughts on this one. Is it the Oscar-worthy film some of the “experts” claim it to be?

I get it, “Die My Love” is not conformist. It’s raw, jagged, and emotionally unrelenting — a film that refuses to offer comfort or catharsis. It’s the kind of experience that leaves you uneasy rather than uplifted.

When are the remakes going to stop? Does Hollywood not have a shred of originality left in its bones to come up with a story that hasn’t been told before?

With a low single digit weekend expected, “Christy” is bound to join a growing list of adult-oriented, Oscar-bait films that have stumbled at the box office this fall.

After disappearing in the wake of “Mektoub, My Love: Intermezzo,” a 3.5-hour nightclub experiment never released theatrically, but which I found utterly transfixing, Abdellatif Kechiche is back.