Here’s a major update: Refn’s latest, which stars Charles Melton, Sophie Thatcher, Kristine Froseth, and Havana Rose Liu, has started production in Tokyo, Japan.

A few weeks ago, I was told that production on S. Craig Zahler’s “The Bookie and the Bruiser” had hit a snag, and been pushed back, most likely due to recent Oscar winner Adrien Brody’s busy schedule.

Warner Bros. has hopped onboard and scheduled M. Night Shyamalan’s upcoming supernatural romantic thriller, “Remain,” for release on October 23, 2026.

Is Tom Hooper finally out of director’s jail? Inflicting “Cats” upon an unsuspecting public, Hooper appears ready to rejoin polite cinematic society, having now attached himself to a hot package,

Here’s a mysterious new project. I’m currently looking at a production grid that claims Ti West is shooting a mysterious new project called “Scream Queen” in Ireland on June 3.

If this weren’t a Marvel movie, there might be cause for concern. However, The Fantastic Four: First Steps is currently undergoing reshoots in Los Angeles—just eight weeks ahead of its release. According to Disney, these reshoots are being described as 'standard protocol' for an MCU production.

“Resurrection,” which is rumored to be 150 minutes, will screen on May 22. A first look image has been released for Gan’s film, which can be seen above. This is the Chinese filmmaker’s third film after the acclaimed “Kaili Blues,” and “Long Day’s Journey Into Night.”

If this wasn’t directed by Song, or distributed by A24, would we even be paying attention to it? Probably not. I kept expecting the trailer to take a sharp turn into something darker or more surreal. Nope. Instead, it feels like they dusted off a script written in 1998.

After a long wait of eighteen months, there’s finally news on Wong Kar Wai’s “Blossoms,” at least on the distribution front. MUBI has acquired the rights to the 30-episode series.

Sources close to Coppola say the 86-year-old director feels strongly that “Megalopolis” should not be watched on a television screen, and should only be seen on the big screen.

First, the good news: “The Batman: Part II” is now aiming for a March 2026 shoot in London. The bad news? Matt Reeves is no longer attached as director. He’s now only credited as the screenwriter.

It’s already been reported that Peter Straughan (“Conclave”), and Krysty Wilson Cairns (“1917”) will each pen one instalment, but how about the other two? Another prominent name has now surfaced.

When it comes to director’s cuts, not many films have been as vastly improved as the masterful given to Ridley Scott’s “Kingdom of Heaven.”

In addition, “Lilo & Stitch” has become the second-highest first-day ticket seller ever for a Disney live-action film on Fandango at this stage in the sales cycle, trailing only 2019’s “The Lion King.”

The Golden Globes are expanding their scope beyond just film and television. In an effort to attract a broader audience and boost viewership, the awards show has introduced a new category: Best Podcast.

Ethan Coen has directed his follow-up to “Drive-Away Dolls.” The upcoming film, titled “Honey Don’t,” is the second installment in a planned trilogy of lesbian-themed B-movies that Coen is co-writing and co-directing with his partner and wife, Tricia Cooke.

Disney CEO Bob Iger is holding up “Thunderbolts” as the golden child of Marvel's new "less is more" strategy—finally admitting that maybe flooding Disney+ with endless spinoffs about third-string superheroes wasn't the masterstroke they thought it was.

The usual praise that comes with early reactions is in full effect. I’ve only found a single negative reaction. It should be mentioned that most of these tweets are coming from “critics” I’m not that familiar with, so as always, take it with a huge grain of salt.

Garland is teaming up once again with A24 to bring a rather unexpected project to the big screen: a film adaptation of the massively popular video game Elden Ring.

In a new conversation with THR, Lee still places the blame for that loss on the Cannes jury president at the time, filmmaker Wim Wenders.