Three weeks ago, Coppola shared, via his Instagram, the title image for “Megalopolis.” Let’s hope a trailer is coming soon. I also recently read the original script for this film, and it’s really … wild.

Last night, George Miller’s “Furiosa” test screened in Burbank, Los Angeles.
All attendees signed very strict NDAs but some of them shared their “very general” opinion on the film.

I was wondering what was going on with this film. We hadn’t heard much of an update about it, for a while now. Finally, someone is dishing out what exactly is going on, and it’s not at all positive.

I missed this interview, but better late than never. Here’s Quentin Tarantino, via the Bret Easton Ellis podcast, describing his love for Steven Spielberg’s “West Side Story.”

Leslie Nielsen was sheer perfection in 1988’s “The Naked Gun: From The Files of Police Squad!” — if you can believe it, this was one of the films that most influenced Paul Thomas Anderson while he was making “Inherent Vice.”

The 2020s were marred by the pandemic. Productions shut down. Movies got delayed. Studios started fearing, more and more, creative balsiness. Then the strikes occurred, and that vicious cycle happened again, further interfering in the production process.

Sony and Oscar-winning filmmaker Sam Mendes’ ambitious plans to make four separate theatrical films, one on each of the members of The Beatles, certainly turned heads when it was announced last week.

I wish I had liked David Fincher’s “The Killer” more than I eventually did — all the pieces were there for Fincher to deliver another great film, but the end result, although visually assured, was a disappointing turn from a director we expect more from.

There were two major standouts at this past January’s Sundance Film Festival: Jesse Eisenberg’s “A Real Pain,” and Jane Schoenbrun’s “I Saw the TV Glow,” which screened in the festival’s Midnight section — the latter now has a trailer.

UPDATE: Here’s our first look at Bill Skarsgard in “The Crow.” As you can see, they’re not looking to replicate Brandon Lee’s iconic look in the 1994 film. This is a brand new interpretation of the cult classic.

The Coppola clan seem to really love “Rumble Fish.” If you remember, Sofia Coppola put the 1983 film on her Sight and Sound ballot, and her father, the man who made it, seems to love it just as much.

Five months after the film was originally scheduled to be released, but was delayed because of the strikes, “Dune: Part Two” will be bringing some wealthy numbers at the box-office this weekend.

After yesterday’s comments, in which he dubiously confessed to hating dialogue in movies, Denis Villeneuve seems to have fed some rare meat to his ravenous haters, and he has plenty of them.

These ratings boards are going to be very busy these next few years by trying to reclassify all of the old movies up to today’s standards. Where does it stop?

Last month, it was announced that Dwayne Johnson would star in the A24-produced “The Smashing Machine,” which would be directed by Benny Safdie (“The Curse”). Emily Blunt has now joined the cast.

Doug Liman’s “Road House” reboot, starring Jake Gyllenhaal, which premieres on Amazon Prime on March 21, has turned into a battle between Liman and the streamer.

Universal is desperately trying to kickstart production on this one, ASAP, with the aim of a July 2, 2025 release locked into their heads. Gareth Edwards will direct with a script written by David Koepp.

Pixar is developing a new movie, this one is set to be the first musical in the toon company’s history. The movie is titled “Ducks” and its main characters are exactly what the title suggests.

Lee Sung Jin just turned in the scripts for the second season of Netflix/A24’s “Beef” and they are ready to start production by late summer or fall. I