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David Fincher’s ‘Cliff Booth’ Reshoots Set for August — Jeff Cronenweth to Replace Erik Messerschmidt as DP

The film had actually wrapped its six-month production in January 2026, and it’s been in post-production for the last eight months. Fincher is well known for taking his time in the editing room.

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‘Michael’ Sequel Targets Late 2027/Early 2028 Release

Lionsgate CEO Adam Fogelson has given an update on the “Michael” sequel, the studio’s blockbuster Michael Jackson biopic, which hit $1 billion at the box office this year.

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Sam Neill’s Final Role Will Be in ‘The Legend of Zelda’

Sam Neill had filmed four projects back-to-back over the past year, all of which would be released in the coming months, including “The Legend of Zelda.”

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Gareth Edwards Exits ‘Jurassic World’ Sequel Due to “Creative Differences”

Universal and Amblin are moving forward with the next ‘Jurassic World’ movie, but Gareth Edwards is not expected to return as director following “creative differences.”

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Emmanuel Lubezki Set as DP on Ben Stiller’s WWII Thriller ‘Airman,’ Starring Jeremy Allen White, A24-Backed

Lubezki’s participation in the film doesn’t seem so far-fetched when you realize that he was also the DP on Stiller’s “Reality Bites,” way back in 1994. They haven’t worked together since.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Bret Easton Ellis on Fincher's ‘The Killer': “The Best Directed Piece of Nothing I’ve Ever Seen in My Life"

February 28, 2024 Jordan Ruimy

I wish I had liked David Fincher’s “The Killer” more than I eventually did — all the pieces were there for Fincher to deliver another great film, but the end result, although visually assured, was a disappointing turn from a director we expect more from.

Another person who shares my lukewarm thoughts on “The Killer” is noted author and screenwriter Bret Easton Ellis who didn’t mince words on his podcast when describing his reaction to the film.

The best directed piece of nothing I’ve ever seen in my life. Like every Fincher movie, it looks phenomenal, and it is cut with a precision that takes your breath away until you’re just staring at it going “why the hell am I watching this?”

However, despite the whole amounting to nothing, Ellis goes on to highlight three scenes that did work in “The Killer”: the opening 10 minutes, Michael Fassbender’s killer confronting Tilda Swinton’s assassin and, for me, the piece de resistance, the bare-knuckled two-man brawl inside a tiny Florida home.

Fincher has called “The Killer” a “B-movie,” and he is correct in that assessment. It has no pretensions. It’s an expertly dressed-up, mostly-silent assassin drama. It’s also what you might call a “by the numbers” statement. Sharp, pulpy and not pretending to be anything other than what it purports to be. An empty exercise in style.

Although “The Killer” garnered mostly positive reviews, it also received muted approval from audiences — it has a 6.7 rating on IMDB, based on 174k votes and sits at 61% user approval on Rotten Tomatoes.

I’m not sure what the future holds for Fincher, or what his next project might — although, he is attached to a ‘Squid Game’ remake — but he did recently renew his contract with Netflix for three more years. This means he’ll continue making streaming movies instead of theatrically-minded ones until 2027. His greatest achievement remains 2007’s “Zodiac.”

Now it’s your turn. What did you think of “The Killer”?

← Sam Mendes' Four Beatles Films Will All Be Released in 2027; Set to Start Production in Mid-2025‘I Saw The TV Glow’ Trailer: Jane Schoenbrun’s A24 Mindbender →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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