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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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Maude Apatow’s ‘Poetic License’ Lands at Sony Pictures Classics After Row K Collapse

“Row K” acquired “Poetic License” out of TIFF last year, but Sony Pictures Classics has now stepped in and picked up the film. According to Variety, SPC is planning a release next year.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘I Saw The TV Glow’ Trailer: Jane Schoenbrun’s A24 Mindbender

February 28, 2024 Jordan Ruimy

There were two major standouts at this past January’s Sundance Film Festival: Jesse Eisenberg’s “A Real Pain,” and Jane Schoenbrun’s “I Saw the TV Glow,” which screened in the festival’s Midnight section — the latter now has a trailer.

I was not a fan of Schoenbrun’s last one, “We’re All Going to the World’s Fair,” which struck me as a tad too elaborate for its own good — and a failed attempt at pulling off some kind of Lynchian spell on the viewer. If you read the reviews for “I Saw the TV Glow,” there’s again a lot of comparisons to Lynch as Schoenbrun again tackles possessed media.

Schoenbrun’s latest garnered all-out raves at Sundance. It has a 91% on Rotten Tomatoes (8.3 average score) and 86 on Metacritic. Some of the reviews are even using the “M” word (masterpiece). Unlike, “A Real Pain” (which is an exquisitely simple examination of trauma), I have yet to catch ‘TV Glow’ but very much looking forward to it.

So, what is “I Saw the TV Glow” about? That’s where things get a tad complicated as there really isn’t a clear consensus about what the accumulation of all of its mysteries results in. With that said, the trailer makes it look visually stunning. The use of the color purple is wonderful. There’s definitely some Lynchian vibes going, I also see some Cronenberg (“Videodrome”).

The gist of the plot has to do with a teenager struggling through life in the suburbs when suddenly his classmate introduces him to a mysterious late-night TV show — a vision of a supernatural world beneath their own, reality and fiction start to blur.

A24 has set a May 3, 2024 release date for “I Saw The TV Glow.”

← Bret Easton Ellis on Fincher's ‘The Killer': “The Best Directed Piece of Nothing I’ve Ever Seen in My Life"‘The Crow’ Remake Set for Summer Release — First Image [Updated] →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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