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The 20 Greatest Horror Movies of All-Time; Is ‘The Exorcist' Still The King?

Is “The Exorcist” truly the greatest horror film ever made, or has time crowned a new champion of fear? Maybe it’s “The Shining,” ‘Texas Chainsaw,’ “Psycho,” or something entirely unexpected that still keeps you up at night.

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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jake Gyllenhaal Disproves Doug Liman; Says ‘Road House' Was Always Intended For Streaming

February 27, 2024 Jordan Ruimy

Doug Liman’s “Road House” reboot, starring Jake Gyllenhaal, which premieres on Amazon Prime on March 21, has turned into a battle between Liman and the streamer.

There’s been a lot of reporting on the behind the scenes drama which involved private investigators, a disgruntled producer, a cameo from Ari Emanuel and Liman going scorched-earth. It all culminated with Liman, vehemently unhappy over the release strategy, publishing an op-ed where he promising to boycott the film’s premiere at SXSW in March.

However, later sources clarified that Liman knew all along that “Road House” was going to be a streaming movie, giving him the option of making the film for $60 million with a theatrical release or take $85 million and go streaming only. He opted for the latter.

Liman hasn’t yet responded to this new claim, but this is not what he led us to believe. Someone’s not telling the truth here, and it’s looking more and more like it might be Liman.

Gyllenhaal has now responded and he is going against Liman’s side of the story. In a new TotalFilm interview, Gyllenhaal blow up Liman’s argument, emphasizing that Amazon always had a clear intention to release the film on streaming.

“I adore Doug’s tenacity, and I think he is advocating for filmmakers, and film in the cinema, and theatrical releases. But, I mean, Amazon was always clear that it was streaming,” Gyllenhaal told the outlet.

I’m not really sure what Liman’s game plan was in deriving a campaign against Amazon, but it’s not a good look, and other studios are taking notes of his behavior. I completely get his insistence in wanting a theatrical release, he seems very proud of the film, but if it was always a contractual intention for this to be a streaming film then he has no reason to complain.

This “Road House” remake sees Gyllenhaal playing a former UFC fighter who ends up working security in a shady Florida bar. Liman, who is known for “Edge of Tomorrow” and “The Bourne Identity,” has called “Road House” the best film of his career.“

← Emily Blunt Joins Dwayne Johnson in A24 and Benny Safdie's ‘The Smashing Machine'Gareth Edwards' ‘Jurassic World' Movie Starts Shooting on July 31 →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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