A new Woody Allen profile by french newspaper Libération has several interesting anecdotes about the making of Woody Allen's latest film, “Coup de Chance.”

Vaughn is best known for the ‘Kingsman’ franchise and “Kick-Ass.” One wishes that he could go back to his “Layer Cake” roots, alas, we’ll just have to settle with “Argylle,” for now.

A New York Times piece, about Netflix and Ava DuVernay being in legal trouble, caught my attention, I then started to dig a bit more into this story and, suffice to say, this could become major in the coming weeks.

Garth Davis’ “Foe” is supposed to be screened for press at the New York Film Festival, but blogger Erik Anderson seems to have broken the embargo by tweeting out a reaction:

After premiering “Jeanne du Barry,” his acting return, at the Cannes Film Festival, Johnny Depp has started production on “Modi”, his first directorial effort in 25 years.

A trailer for Disney’s upcoming animated feature, “Wish,” has been released. You can bet the folks at Disney are biting their nails over upcoming features “The Marvels” and “Wish,” both have budgets in excess of $200 million.

In case you’re wondering what has taken Alfonso Cuarón so long to make another movie, well, he’s been working on an Apple TV limited series titled “Disclaimer” with Cate Blanchett.

”The Curse” is set to premiere its first three episodes, totalling 159 minutes, next week at the New York Film Festival.

Dolan sees parallels in how the world is burning up and his retirement from cinema. He’s actually turned into a very doom and gloom kind of person:

Woody Allen’s 50th film, “Coup de Chance,” is not getting good reviews in France. It currently holds a weak 2.6/5 score on AlloCine, the French equivalent of Rotten Tomatoes.

Scorsese’s longtime editor, the legendary Thelma Schoonmaker, has witnessed, first-hand, some wonderful De Niro performances. However, she says that the actor’s work in “Killers of the Flower Moon” is his “greatest performance.”

In the ‘90s and ‘00s, there weren’t many American filmmakers as hot in the world scene as Gus Van Sant.

I can report that there is a SAG-interim agreement set for the film. Production is set to start on October 16th.

It’s set to be released in Los Angeles/New York on October 27th and available to stream via Netflix on November 10th.

Chloe Domont’s “Fair Play,” a scorcher of a film, also has a final trailer, which popped online this afternoon. 

A deadline report is saying that SAG-AFTRA and the studios could be meeting next week. This has everything to do with riding the momentum of the recent WGA and AMPTP deal.

On September 7th, I reported that Christopher Nolan had been in discussions with James Bond producer Barbara Broccoli to direct the next 007 movie.

The review embargo for Gareth Edwards’ “The Creator” is now a thing of the past. The reactions are what I expected: good, but not great. It currently has a 66 on Metacritic (based on 23 reviews).

Director Christos Nikou turned some heads with his Venice pandemic entry “Apples,” which felt Lanthimos-light to me, but it had its fans. At the very least, you can’t help but applaud his ambitions in this latest film.

The Golden Globes are lost. They’re adding two unnecessary categories. The first one is Best Box Office Hit. To qualify for this category a movie must have made over $150 million worldwide, $100 million domestically.