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Matthew Libatique Says Darren Aronofsky’s Next Film Will “Experiment” With AI

Here we have Darren Aronofsky's longtime DP, Matthew Libatique, confirming the two are running AI tests before shooting their next feature together.

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Box Office: ‘You Can See Everything' ($2M), ‘Clayface' ($1.9M), ‘Wildwood' ($1.3M) Lead a Quiet Thursday

Thursday numbers are in, and they hint at a quiet weekend, especially with no big wide release, unless you count "Christmas at the Kringles" as one. It managed $200K in previews from around 1800 screens.

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Angel Studios Bans Sex, Nudity and F-Words (Violence is Okay) in Sweeping New Content Policy

The studio has unveiled "The Angel Promise," a sweeping new content policy that bans on-screen sex, nudity, F-words and any misuse of God's name in its films.

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Amanda Seyfried Joins Brady Corbet's ‘The Origin of the World'

Seyfried just came off “The Testament of Ann Lee,” which, Corbet’s partner, Mona Fastvold directed and co-wrote with him. Corbet also served as second unit director on that film.

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Martin Scorsese Says Sony Hack Killed His ‘Cleopatra' With Angelina Jolie, Leonardo DiCaprio and Daniel Day-Lewis: “I’m So Mad About It”

In a new interview, Martin Scorsese casually revealed that he came very close to directing a "Cleopatra" epic with Angelina Jolie in the title role. And what killed it? North Korea.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Creator’ Review Embargo Has Lifted, 66 on Metacritic

September 26, 2023 Jordan Ruimy

The review embargo for Gareth Edwards’ “The Creator” is now a thing of the past. The reactions are what I expected: good, but not great. It currently has a 66 on Metacritic (based on 23 reviews).

This is the story of a future war between man and machine, as told through the bond that develops between a man and a child-sized machine. John David Washington, in his best performance, carries the entire movie.

There aren’t many original sci-fi movies being made these days, if any, and “The Creator” feels like an oasis in a sea of muck. It’s flawed, structurally muddy, but its ambitious 131 minutes rarely leaves you bored. Edwards has a vision and he sticks with it until the very end.

Many, including myself, are giving this one a pass just because of its sheer existence, in the current big studio cultural landscape — it’s really kind of miraculous that Edwards managed to convince a studio to make this movie. I wish him and 20th century all the best at the box-office. If “The Creator” can become a success then maybe more non-IP sci-fi can be greenlit in the near future.

It’s also impressive how this film only cost $80 million to make. Marvel, pay attention. It looks much more expensive than its reported budget. The production design is great, especially the way the robots are sketched out. The world building can also be very immersive. Edwards shot it all using a $4,000 Sony FX3 camera.

Suffice to say, there are a few worn out stretches here and there, and some clunky dialogue, but it all gels fairly well. It never dumbs things down for its audience either. The finale is really strong, constantly a step ahead of the audience — this is a movie that builds and builds and builds up to a crescendo.

However, most of all, this is further proof that Edwards can be a major voice in big studio filmmaking. He directed the only Disney-produced Star Wars movie I really liked (“Rogue One”) and “The Creator” is his first project since that 2016 movie.

Edwards borrows ideas from established films that preceded it, but it’s his’ craft, and his vision, that elevate this imperfect action movie into something entirely watchable. “The Creator” is being released in theaters nationwide this Friday.

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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