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Can Nathan Fielder’s ‘You Can See Everything’ Make Oscar History as the First “Documentary” Nominated for Best Picture?

In the Academy’s 97-year history, no documentary has ever been nominated for the Best Picture Oscar? Fielder’s doc is being tipped as potentially making history — but is it even non-fiction?

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Ridley Scott Claims ‘Treasure Island’ Will Be the Most Expensive Movie of His Career

Scott says it could be “the highest budget film” of his career” before accounting for tax incentives.” If Scott isn’t bullsh*tting here, and lord knows he might be, that would put the cost in the $200M+ range.

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Brady Corbet’s ‘The Origin of the World,’ His ‘X-Rated’ 4-Hour Follow-Up to ‘The Brutalist,’ Begins Production in South Africa

Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”

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Mia Hansen-Løve’s ‘If Love Should Die’ is Finally Happening — Renate Reinsve Vicky Krieps, Johnny Flynn to Star

Hansen-Løve has a new film — a period piece set in England. “If Love Should Die” will focus on the 18th-century English philosopher Mary Wollstonecraft. This was announced three years ago, and it is finally happening.

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Venice 2026: Koreeda’s ‘Look Back’ Disappoints, el-Toukhy’s ‘Woman Unknown’ Provokes, Moretti Surprises

Venice keeps trudging along. Twelve of the 21 films in competition have now been screened. Tomorrow, we’ll get to see Casey Affleck’s “Company,” Florian Zeller’s “Bunker,” and Ilya Khrzhanovsky’s “DAU.”

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Creator’ Review Embargo Has Lifted, 66 on Metacritic

September 26, 2023 Jordan Ruimy

The review embargo for Gareth Edwards’ “The Creator” is now a thing of the past. The reactions are what I expected: good, but not great. It currently has a 66 on Metacritic (based on 23 reviews).

This is the story of a future war between man and machine, as told through the bond that develops between a man and a child-sized machine. John David Washington, in his best performance, carries the entire movie.

There aren’t many original sci-fi movies being made these days, if any, and “The Creator” feels like an oasis in a sea of muck. It’s flawed, structurally muddy, but its ambitious 131 minutes rarely leaves you bored. Edwards has a vision and he sticks with it until the very end.

Many, including myself, are giving this one a pass just because of its sheer existence, in the current big studio cultural landscape — it’s really kind of miraculous that Edwards managed to convince a studio to make this movie. I wish him and 20th century all the best at the box-office. If “The Creator” can become a success then maybe more non-IP sci-fi can be greenlit in the near future.

It’s also impressive how this film only cost $80 million to make. Marvel, pay attention. It looks much more expensive than its reported budget. The production design is great, especially the way the robots are sketched out. The world building can also be very immersive. Edwards shot it all using a $4,000 Sony FX3 camera.

Suffice to say, there are a few worn out stretches here and there, and some clunky dialogue, but it all gels fairly well. It never dumbs things down for its audience either. The finale is really strong, constantly a step ahead of the audience — this is a movie that builds and builds and builds up to a crescendo.

However, most of all, this is further proof that Edwards can be a major voice in big studio filmmaking. He directed the only Disney-produced Star Wars movie I really liked (“Rogue One”) and “The Creator” is his first project since that 2016 movie.

Edwards borrows ideas from established films that preceded it, but it’s his’ craft, and his vision, that elevate this imperfect action movie into something entirely watchable. “The Creator” is being released in theaters nationwide this Friday.

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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