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‘La Bola Negra’ Gets Historic 47-Day Theatrical Run From Netflix

The Spanish-language Oscar hopeful from Los Javis, Javier Calvo and Javier Ambrossi, will now hit theaters October 16, nearly three weeks earlier than planned, before arriving on Netflix December 2.

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‘Godzilla Minus Zero’ to World Premiere at 64th New York Film Festival

“Godzilla Minus Zero,” the highly anticipated sequel to Oscar-winning “Godzilla Minus One,” will have its world premiere at the 64th New York Film Festival on September 26.

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Eli Roth’s ‘Ice Cream Man’ Is Getting Brutal Reviews — Not A Single Positive One So Far

I’m seeing plenty of “worst of the year” mentions for “Ice Cream Man,” which doesn’t surprise me one bit. Roth has never been a critical darling and has only been more burdened by that with each passing film.

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Amy Pascal Says “It’s a Good Bet” Next James Bond Will Be Announced in 2026

That said, Pascal is now telling Deadline that we will get to know who is playing the next 007 by year’s end, which makes my recent October prediction still valid — and, in my view, makes the most sense.

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‘Fast Forever’ Director Doesn’t Know If He’s Directing ‘Fast Forever’

Asked whether he’d seen the same screenplay that made Vin Diesel sob for hours, director Louis Leterrier, the supposed director of “Fast Forever,” became noticeably evasive.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Woody Allen Originally Wanted Seydoux, Huppert and Cassel for ‘Coup de Chance’

September 28, 2023 Jordan Ruimy

A new Woody Allen profile by french newspaper Libération has several interesting anecdotes about the making of Woody Allen's latest film, “Coup de Chance.”

The film was released in France yesterday. Allen’s 50th film cost around 10 million euros and took advantage of the tax rebate on foreign productions, the actors were paid 2000 euros a day.

Apparently, several actors that Allen wanted for the cast declined to star in the film. The names dropped by Libération include Gilles Lellouche and Vincent Cassel, both said no due to "reputation risk." Léa Seydoux (who was supposed to play the lead role that eventually went to Lou de Laâge) and Isabelle Huppert couldn't fit the shoot on their schedule.

I have no doubt that Huppert, who has mentioned in the past wanting to work with Allen, couldn’t star in the film due to scheduling conflicts. Last weekend, she even attended Allen’s jazz concert in Paris and met up with him backstage afterwards.

The article says that Allen and Seydoux (who Allen qualifies as "the quintessence of beauty") have a habit of dining together when Allen is in Paris so probably no bad blood between them. So, it’s doubtful she had a fear for her reputation by not appearing in Allen’s film.

However, the most interesting tidbit in this Libération piece is that, according to anonymous members of the cast, the french translation of the script read like a "cheesy TV movie" and therefore the actors actually met "in secret" to rewrite their lines. Allen, not knowing French, was not aware of the changes.

I haven't seen the film, so I can’t comment on the dialogue, but that is indeed one of the main criticisms of French critics when it comes to this film. Regardless, actors are not screenwriters and to have them change lines, in secret, behind Allen’s back, is a tad too foul for my tastes.

The reviews out of Venice for “Coup de Chance” were impressive, especially for latter-day Allen, it currently has an 85% on Rotten Tomatoes (based on 20 reviews).

“Coup de Chance” still has no U.S. distributor. It will most likely be released on VOD in France before it ever sees the light of day in the States.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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