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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

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Olivier Assayas’ ‘Non-Fiction' is an Amiably Intellectual Exercise on Social Media [TIFF Review]

April 30, 2019 Jordan Ruimy

Leave it to the French to philosophize about Twitter and E-books. That's exactly what Olivier Assayas' "Non-Fiction" dares to do and, for the most part, this small little trifle of a film actually works. Coming off his brilliant meta-horror exercise "Personal Shopper," Assayas decides to make a more relaxing film this time around. This intermingling of relationships and friendships, set in the publishing world, is just an excuse for Assayas to update Rohmer for the 21st century, but in a minor key.

Alain (Guillaume Canet) is a successful book publisher, who is cheating on his wife Serena (Juliette Binoche), A TV actress who is having an affair with one of his long-time authors (Vincent Macaigne), whose wife is the assistant to an up and coming environmental politician. Got that? The juggling of storylines is handled with care by Assayas who has his characters not only dealing with their own issues but trying to adapt their work life to the digital and social media age.

The film is very french, with each character suspecting the other of infidelity but continuing on, like only francophones would, as if not bothered by the cheating. It's a slight film that becomes exceedingly more involving as it goes along thanks to Assayas' intricate eye for character and detail. It might be a slight work but it's no less Assayas-esque for that matter. [B-]

In REVIEWS Tags Non-Fiction, Olivier Assayas, Foreign Films
← Martin Scorsese Defends Netflix: ‘They Came Up With the Money and the Freedom’In ‘Extremely Wicked, Shockingly Evil, and Vile' the Devil is the Charmer [Review] →

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