You would expect nothing more than cringe when it comes to oddball actor Jesse Eisenberg’s directorial debut, and that is exactly what we get in “When You Finish Saving the World,” which plays like a mix of Nicole Holofcener and Todd Solondz.

We seem to be in throwback mode right now at the movies. Last week’s “M3GAN” was a deep dive into ’80s killer doll movies and this coming Friday sees the release of “Plane,” a throwback action movie recalling the days of Arnold and Stallone.

Set 21 years ago in Masshad, Iran, Ali Abassi’s “Holy Spider” shocked quite a few people at Cannes for its depiction of violence towards women.

My expectations were fairly tamed down when I entered the Princess of Wales theater at TIFF for Tobias Lindholm’s “The Good Nurse,” and know what?

This Cannes Critics’ Week title had everybody talking on the Croisette. Debut filmmaker Charlotte Wells depicts the personal story of the melancholic and bittersweet resort holiday she took with her father (Paul Mescal) twenty years ago.

We are only six days away from the best movie of 2022, so far, at least, being released in theaters.

Chinonye Chukwu directs the hell out of the conventional screenplay she’s been given in “Till.” The movie wouldn’t have worked in many hands, but through her caring direction, and a landmark performance from Daniel Deadwyler, it does.

Ruben Ostlund’s latest provocation, this year’s Palme d’Or winner, is absurdist satire done right. The writer-director yet again proves he’s a unique voice in cinema and one that is much-needed at the moment.

I’m telling you, if Olivia Wilde’s “Don’t Worry Darling” didn’t have all this behind-the-scenes baggage going against it then maybe critics would have been kinder to it. It’s not a terrible movie, nor is it a very good one either.