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Tom Six Says “Woke Is the Biggest Enemy of Art” as 'The Onania Club' Hits 7 Years Without a Distributor

The mystery behind ‘Onania Club’ continues. Only handful of people have seen it. Among the few who got access was John Waters, who named it one of the best films of the year.

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Paramount and California AG Set October Settlement Talks Over $111 Billion Warner Bros. Discovery Bid

The timing is interesting. The settlement talks will occur nearly a month after the $7 million-per-day ticking fee start tabulating, which puts real pressure on Paramount to get this done.

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RUMOR: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Adam Wingard on Leaving ‘Godzilla x Kong’ Sequel: “The Best Decision I've Ever Made"

Adam Wingard confirms that after the last "Godzilla" movie, he and Legendary were deep into a third one — he'd already started filling the script with Easter eggs teasing another return. And then he bailed.

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‘The Fix,’ Starring Zachary Levi and Liam Neeson, Hits 19% on Rotten Tomatoes — Box Office Numbers Not Available

“The Fix” might have set a record for the number of production credits: 46 producers are listed! Yeah, maybe that is a record. It’ll take half the end credits to name them all.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Martin Scorsese Defends Netflix: ‘They Came Up With the Money and the Freedom’

May 1, 2019 Jordan Ruimy

I have no problem with Netflix crashing the Oscar game, it could help and push the other major studios to step up their game and actually produce more original content instead of the money-hungry, franchise-obsessed mindset that is currently running rampant in almost every major exec's head.

With all that said, Netflix will be legitimizing itself even further this year as a major studio with its star-studded fall lineup, which includes Martin Scorsese’s “The Irishman.”

Some people still aren't taking Netflix seriously as a distributor of "cinema." Those unwilling to accept that, yes, a Netflix movie should be counted as a real movie, one that is gunning for credible awards contention, will be proven wrong, eventually.

Some of the most important Hollywood filmmakers are now making the jump to the streaming giant. After all, Hollywood executives from the other major studios have all but killed the idea of giving highly talented directors the room for creative freedom. 

Martin Scorsese seems to agree with my assessment. In an interview with Vanity Fair, the legendary director explains quite simply but eloquently why Netflix IS cinema. “They came up with the money, and the freedom,” said Scorsese. And it’s that sort of logic that has led Netflix and its streaming brethren signing up almost every major filmmaker and A-list actor to create more and more content.

Of course, this evolution is a legitimate cinematic streaming enterprise will take time for some, Scorsese added “I want people to be patient with them, because they need to try different things . . . argue it out, because it makes you think, ‘What is a film? And how should a film be presented, especially in a new world?’ I think the cards are stacked for the big budget, and that’s a problem.”

Netflix is in charge of distributing, maybe, the most anticipated film for cinephiles of these past few years: Martin Scorsese's "The Irishman." It's been 25 years since Scorsese/De Niro teamed up for a movie (1995's "Casino") but during that time the director/actor behind such classics as "Goodfellas," 'Taxi Driver," The King of Comedy" and "Mean Streets" have seen their work age like fine wine and turn into the stuff of legend, with even millennials jumping onboard and taking great affinity to the staggering body of work these two artists concocted in their 3+ decades of work together.

← ‘Sonic the Hedgehog' Trailer: What the Hell Did I Just Watch?Olivier Assayas’ ‘Non-Fiction' is an Amiably Intellectual Exercise on Social Media [TIFF Review] →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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