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Alex Garland's ‘Elden Ring' Now Costs Around $200M — A24 Isn't an Indie Studio Anymore

The Wall Street Journal reports that "Elden Ring" actually cost around $200M to make, nearly double what was floated when cameras started rolling in April. The film is still dated for March 3, 2028.

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‘Out of This World’: Albert Serra Calls His Riley Keough Film a “Masterpiece” — After Shooting 500 Hours of Footage

Now, before anyone criticizes the self-praise, this is nothing new for Serra. The man has been his own biggest hype machine for many years now.

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J. Todd Anderson, the Coen Brothers’ Longtime Storyboard Artist, Has Died at 67

The NYT went so far as to suggest in its obituary headline that the “Coens may be lost without him,” and Ethan's own words back that up: if you love their movies, he said, "a lot of it is him — more than people know."

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‘Wildwood' Actually Has a $400M+ Budget? It May Be the Most Expensive Animated Film Ever Made

One source describes the actual cost of bringing Knight's 17-year passion project to the screen as "astronomical." Another goes further, claiming "Wildwood" is the most expensive animated movie ever made.

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New ‘Alien’ Movie Hires ‘Prisoners’ Writer, Tied to Ridley Scott’s ‘Prometheus’ and ‘Covenant’ — ‘Romulus 2’ in “Limbo”

According to THR, Aaron Guzikowski, who wrote Denis Villeneuve’s “Prisoners,” has been hired to write a new “Alien” movie for 20th Century Studios, unrelated to ‘Romulus,’ but connected to Ridley Scott.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Martin Scorsese Defends Netflix: ‘They Came Up With the Money and the Freedom’

May 1, 2019 Jordan Ruimy

I have no problem with Netflix crashing the Oscar game, it could help and push the other major studios to step up their game and actually produce more original content instead of the money-hungry, franchise-obsessed mindset that is currently running rampant in almost every major exec's head.

With all that said, Netflix will be legitimizing itself even further this year as a major studio with its star-studded fall lineup, which includes Martin Scorsese’s “The Irishman.”

Some people still aren't taking Netflix seriously as a distributor of "cinema." Those unwilling to accept that, yes, a Netflix movie should be counted as a real movie, one that is gunning for credible awards contention, will be proven wrong, eventually.

Some of the most important Hollywood filmmakers are now making the jump to the streaming giant. After all, Hollywood executives from the other major studios have all but killed the idea of giving highly talented directors the room for creative freedom. 

Martin Scorsese seems to agree with my assessment. In an interview with Vanity Fair, the legendary director explains quite simply but eloquently why Netflix IS cinema. “They came up with the money, and the freedom,” said Scorsese. And it’s that sort of logic that has led Netflix and its streaming brethren signing up almost every major filmmaker and A-list actor to create more and more content.

Of course, this evolution is a legitimate cinematic streaming enterprise will take time for some, Scorsese added “I want people to be patient with them, because they need to try different things . . . argue it out, because it makes you think, ‘What is a film? And how should a film be presented, especially in a new world?’ I think the cards are stacked for the big budget, and that’s a problem.”

Netflix is in charge of distributing, maybe, the most anticipated film for cinephiles of these past few years: Martin Scorsese's "The Irishman." It's been 25 years since Scorsese/De Niro teamed up for a movie (1995's "Casino") but during that time the director/actor behind such classics as "Goodfellas," 'Taxi Driver," The King of Comedy" and "Mean Streets" have seen their work age like fine wine and turn into the stuff of legend, with even millennials jumping onboard and taking great affinity to the staggering body of work these two artists concocted in their 3+ decades of work together.

← ‘Sonic the Hedgehog' Trailer: What the Hell Did I Just Watch?Olivier Assayas’ ‘Non-Fiction' is an Amiably Intellectual Exercise on Social Media [TIFF Review] →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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